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Jim Shaw

American, b. 1952

2,393 followers
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Jim Shaw

American, b. 1952

2,393
Followers
Biography

Famous as a collector of American junk, including a trove of thrift store paintings once sought by art collector Charles Saatchi, Jim Shaw draws on his vast stores of pop cultural artifacts in his work. The My Mirage (1986–91) project comprises nearly 170 drawings, silkscreens, photographs, sculptures, films, and paintings based on a Shaw stand-in called Billy, who grows from childhood to psychosis to born-again Christianity. Billy exists amid a 1960s and ’70s visual overload of pulp novels, comic books, records, and psychedelic posters. The artist’s Oism project, initiated in the late 1990s, explores his fictional religion through media including video installations (recalling both Busby Berkeley musicals and 1980s aerobics videos) and found paintings in the “Oist style.” Shaw’s richly layered practice takes liberally from both art history (Art Brut, Vincent van Gogh, Salvador Dalí, Rene Magritte, Max Ernst) and America’s vernacular of coffeemakers and zombie films.

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Career Highlights
Learn more about artist insights.
Blue chip status
Blue chip representation
Represented by internationally reputable galleries.
User
Solo show at a major institution
The Museum of Modern Art (MoMA), and 3 more
Group
Group show at a major institution
The Museum of Modern Art (MoMA), and 5 more
Institution
Collected by a major institution
Museum of Modern Art (MoMA)
Publication
Reviewed by a major art publication
Artforum, and 5 more
Fair
Included in a major biennial
Venice Biennale International Exhibition, and 2 more
Biography

Famous as a collector of American junk, including a trove of thrift store paintings once sought by art collector Charles Saatchi, Jim Shaw draws on his vast stores of pop cultural artifacts in his work. The My Mirage (1986–91) project comprises nearly 170 drawings, silkscreens, photographs, sculptures, films, and paintings based on a Shaw stand-in called Billy, who grows from childhood to psychosis to born-again Christianity. Billy exists amid a 1960s and ’70s visual overload of pulp novels, comic books, records, and psychedelic posters. The artist’s Oism project, initiated in the late 1990s, explores his fictional religion through media including video installations (recalling both Busby Berkeley musicals and 1980s aerobics videos) and found paintings in the “Oist style.” Shaw’s richly layered practice takes liberally from both art history (Art Brut, Vincent van Gogh, Salvador Dalí, Rene Magritte, Max Ernst) and America’s vernacular of coffeemakers and zombie films.

Career Highlights
Learn more about artist insights.
Blue chip status
Blue chip representation
Represented by internationally reputable galleries.
User
Solo show at a major institution
The Museum of Modern Art (MoMA), and 3 more
Group
Group show at a major institution
The Museum of Modern Art (MoMA), and 5 more
Institution
Collected by a major institution
Museum of Modern Art (MoMA)
Publication
Reviewed by a major art publication
Artforum, and 5 more
Fair
Included in a major biennial
Venice Biennale International Exhibition, and 2 more
Articles Featuring Jim Shaw
5 Artists Discuss UFOs, Pizzagate, and the Conspiracy Theories That Fascinate Them
Sep 26th, 2018
5 Artists Discuss UFOs, Pizzagate, and the Conspiracy Theories That Fascinate Them
How the Midwest Made Artists Out of Mike Kelley and Jim Shaw
Nov 22nd, 2017
How the Midwest Made Artists Out of Mike Kelley and Jim Shaw
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