Kwame Brathwaite

The subjects of Brathwaite’s carefully crafted photographs invoke the power of a range of objects, such as books, musical instruments and artworks. The dress and hairstyles of his subjects point to their sense of themselves, while the environs of his subjects direct the viewer to a community of artist activists—writers, painters, playwrights, fashion designers and musicians. Brathwaite’s work demonstrates the power of photography as an essential cultural tool in the dissemination of new political ideas, its power to stage visual rhetoric and its ability make language visible.

Inspired in part by the writings of Marcus Garvey, Kwame Brathwaite, his older brother, Elombe Brath, and the African Jazz Arts Society and Studios (AJASS) popularized the phrase “Black is Beautiful” in the late 50's and early 60’s. Brathwaite and Brath did their part to spread this idea through Brathwaite’s writings and photographs, as well as the activities of the two organizations they helped co-found: AJASS (1956) and the Grandassa Models (1962). 

Throughout the 60s Kwame Brathwaite produced reporting and pictorials for leading black publications such as The Amsterdam News, City Sun and The Daily Challenge. By the 70's, Brathwaite was one of the top concert photographers, shaping the images of such public figures as Stevie Wonder, Bob Marley, James Brown and Muhammad Ali. Brathwaite wrote about and photographed such landmark events as the “The Motown Revue” at the Apollo (1963); “WattStax ’72” (1972); The Jackson 5’s first trip to Africa (1974); and the “Festival in Zaire” (1974) which accompanied the famous Foreman-Ali fight, “The Rumble in the Jungle."

Submitted by projects+gallery