Performance, mixed-media, and installation artist Lili Reynaud-Dewar is known for appropriating culturally significant objects and ideas, particularly those related to themes of identity politics. Reynaud-Dewar’s projects are often driven by anthropological research, as in her large-scale text piece Interpretation Drawing (I Don’t Give a Hoot) (2010), in which she writes prose pertaining to various racial stereotypes. She is also recognized for her sculptural installations composed of abstract geometric forms recalling the Suprematism of Kasimir Malevich, which lack the overt social connotations characterizing much of her oeuvre.