Meret Oppenheim

German-Swiss, 1913–1985

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Meret Oppenheim

German-Swiss, 1913–1985

1,102
Followers
Biography

A central figure in Surrealism, Meret Oppenheim painted dream narratives and impossible juxtapositions of everyday objects to explore female sexuality, identity, and exploitation. She famously posed for Man Ray’s Erotique voilée (1933), instantly becoming an object of romantic idealization to the Surrealists for her seemingly direct and spontaneous access to experiences of the dream world through her youth, charm, and openness. In her best-known works, Oppenheim painted household objects in suggestively erotic arrangements or created haunting assemblages of indeterminate origins, often transforming objects closely associated with feminine domesticity into erotic symbols. Object (1936), a fur-covered cup, saucer, and spoon, became her most iconic work. Through exhibitions and activities amongst the Surrealist circle, Oppenheim was closely associated with Jean Arp, André Breton, and Max Ernst.

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Career Highlights
Learn more about artist insights.
Established
Established representation
Represented by industry leading galleries.
User
Solo show at a major institution
MCA Chicago
Group
Group show at a major institution
The Museum of Modern Art (MoMA), and 10 more
Institution
Collected by a major institution
Museum of Modern Art (MoMA), and 1 more
Publication
Reviewed by a major art publication
Artforum, and 3 more
Fair
Included in a major biennial
Venice Biennale International Exhibition, and 1 more
Biography

A central figure in Surrealism, Meret Oppenheim painted dream narratives and impossible juxtapositions of everyday objects to explore female sexuality, identity, and exploitation. She famously posed for Man Ray’s Erotique voilée (1933), instantly becoming an object of romantic idealization to the Surrealists for her seemingly direct and spontaneous access to experiences of the dream world through her youth, charm, and openness. In her best-known works, Oppenheim painted household objects in suggestively erotic arrangements or created haunting assemblages of indeterminate origins, often transforming objects closely associated with feminine domesticity into erotic symbols. Object (1936), a fur-covered cup, saucer, and spoon, became her most iconic work. Through exhibitions and activities amongst the Surrealist circle, Oppenheim was closely associated with Jean Arp, André Breton, and Max Ernst.

Career Highlights
Learn more about artist insights.
Established
Established representation
Represented by industry leading galleries.
User
Solo show at a major institution
MCA Chicago
Group
Group show at a major institution
The Museum of Modern Art (MoMA), and 10 more
Institution
Collected by a major institution
Museum of Modern Art (MoMA), and 1 more
Publication
Reviewed by a major art publication
Artforum, and 3 more
Fair
Included in a major biennial
Venice Biennale International Exhibition, and 1 more
Articles Featuring Meret Oppenheim
From Frank Stella to Louise Bourgeois, 9 Artists Who Designed Stunning Jewelry
Feb 5th, 2018
MoMA’s First Work by a Female Artist Was a Fur-Lined Teacup
Jan 11th, 2018
How the Women of Surrealism Went from Muses to Masters
Jul 4th, 2017
Surrealism
Sep 23rd, 2016
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