Mikhael Subotzky

South African, b. 1981

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Mikhael Subotzky

South African, b. 1981

373
Followers
Biography

Mikhael Subotzky’s works are the results of his fractured attempts to place himself in relation to the social, historical, and political narratives that surround him both at home in South Africa and on his frequent travels. As an artist working in film, video installation, and photography, as well as more recently in collage and painting, Subotzky engages critically with contemporary politics of representation. In “Beaufort West” (2006–08), a series he premiered at MoMA, Subotzky focuses on the Beaufort West Prison, juxtaposing the prisoners inside with residents of the neighboring towns, from sex workers to privileged suburbanites. Another series, “Ponte City” (2008–), depicts residents in the titular Johannesburg residential tower, opposing the claustrophobic, dystopian architecture with poignant scenes of family life taking place within. Subotzky’s works are at once highly introspective and revelatory of the systemic injustices wrought by South Africa’s colonialist legacy.

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Career Highlights
Learn more about artist insights.
Established
Established representation
Represented by industry leading galleries.
Group
Group show at a major institution
The Museum of Modern Art (MoMA), and 4 more
Institution
Collected by a major institution
Museum of Modern Art (MoMA)
Publication
Reviewed by a major art publication
Artforum, and 2 more
Fair
Included in a major biennial
Venice Biennale International Exhibition, and 1 more
Biography

Mikhael Subotzky’s works are the results of his fractured attempts to place himself in relation to the social, historical, and political narratives that surround him both at home in South Africa and on his frequent travels. As an artist working in film, video installation, and photography, as well as more recently in collage and painting, Subotzky engages critically with contemporary politics of representation. In “Beaufort West” (2006–08), a series he premiered at MoMA, Subotzky focuses on the Beaufort West Prison, juxtaposing the prisoners inside with residents of the neighboring towns, from sex workers to privileged suburbanites. Another series, “Ponte City” (2008–), depicts residents in the titular Johannesburg residential tower, opposing the claustrophobic, dystopian architecture with poignant scenes of family life taking place within. Subotzky’s works are at once highly introspective and revelatory of the systemic injustices wrought by South Africa’s colonialist legacy.

Career Highlights
Learn more about artist insights.
Established
Established representation
Represented by industry leading galleries.
Group
Group show at a major institution
The Museum of Modern Art (MoMA), and 4 more
Institution
Collected by a major institution
Museum of Modern Art (MoMA)
Publication
Reviewed by a major art publication
Artforum, and 2 more
Fair
Included in a major biennial
Venice Biennale International Exhibition, and 1 more
Articles Featuring Mikhael Subotzky
A History of Magnum Photos in Ten Photographers
Jan 21st, 2014
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