Nam June Paik
South Korean, 1932-2006
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Museum of Modern Art (MoMA), San Francisco Museum of Modern Art (SFMOMA)
Campaign for Art,
San Francisco Museum of Modern Art (SFMOMA)
James Cohan

Considered the father of video art, Nam June Paik pioneered the use of televisual electronic media in art. An integral member of the Fluxus movement alongside John Cage and George Macunias, Paik sought new modes of artistic expression and cultural exchange in his music, performances, and media works. Paik recognized the TV as more than a content delivery mechanism in works such as Zen for TV, a broken television broadcasting only a horizontal line across the screen. He created numerous robots composed of television sets, produced a synthesizer that allowed him and others to manipulate electronic imagery in real-time, and made the first video collages with found imagery. Coining the term “the electronic superhighway,” he imagined a world in which human beings near and far would be connected through radio waves and television broadcast channels—in many ways predicting the internet. Paik …

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