Narelle Jubelin

Her work focuses mainly on the Modern architectural movement and the art of that time. Taking certain works as a reference and specific stories related to them, he delves into others of greater scope that over time weave a plot that manages to expand these stories, taking up the projects some time later and adapting them conceptually to the different contexts and spaces in which they are installed. This is a common method in her way of working that she approaches from different media such as sculpture, engraving or multimedia installation, but especially from embroidery, small and delicate petit points made in many occasions from photographic documents. Her miniature embroideries condense a great capacity for critical and conceptual analysis, as well as surprising with their exquisite technical detail whose interest lies in both the front and the back. Narelle Jubelin has an extensive exhibition career that includes group exhibitions such as: 1990 Trade Delivers People, project presented in the Aperto section, curated by Giovanni Carandente, Venice Biennale; 1992 Doubletake: Collective Memory and Current Art, curated by Lynne Cooke, Bice Curiger and Greg Hilty, at the Hayward Gallery, London and the Kunsthalle, Vienna; Cocido y crudo, curated by Dan Cameron, Museo Centro de Arte Reina Sofia, Madrid...etc.
Her work is in major public collections such as:
Albertina Print Museum, Viena; Art Gallery of New South Wales, Sídney; Art Gallery of South Australia, Adelaida; Art Gallery of Western Australia, Perth; CAM Centro de Arte Moderna - Fundação Calouste Gulbenkian, Lisboa; Monash University Art Museum, Melbourne; Museum of Contemporary Art Australia, Sídney; National Gallery of Australia, Canberra; National Gallery of Victoria, Melbourne; Queensland Art Gallery | Gallery of Modern Art, Brisbane; CGAC Galician Center of Contemporary Art, Santiago de Compostela, etc.

Submitted by GALERÍA NORDÉS