Roni Horn

American, b. 1955

1,794 followers
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Roni Horn

American, b. 1955

1,794
Followers
Biography

“The unknown is where I want to be,” says Roni Horn, an artist celebrated for her cerebral, wide-ranging body of work in which she explores mutability—of identity and gender, natural landscapes and phenomena, language and meaning. Grounded in Minimalism and shaped by language, Horn’s sculptures, drawings, prints, photographs, books, and installations reveal the subtle, moment-by-moment shifts in an expression, nature, or the meaning of words on a page. In Becoming a Landscape (1999-2001) and Still Water (The River Thames, for Example) (1999), she presents a series of photographs of the Icelandic landscape and of the Thames, respectively, that convey their state of unending change. In addition to Iceland and water, Horn focuses on Emily Dickinson’s poetry and her own androgyny. In a.k.a. (2008), she documents the mutability of her identity—at one the wellspring for all of her work the lens through which she views the world.

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Career Highlights
Learn more about artist insights.
Blue chip status
Blue chip representation
Represented by internationally reputable galleries.
User
Solo show at a major institution
Centre Pompidou, and 9 more
Group
Group show at a major institution
The Museum of Modern Art (MoMA), and 14 more
Institution
Collected by a major institution
Tate, and 1 more
Publication
Reviewed by a major art publication
Artforum, and 4 more
Fair
Included in a major biennial
Venice Biennale International Exhibition, and 2 more
Biography

“The unknown is where I want to be,” says Roni Horn, an artist celebrated for her cerebral, wide-ranging body of work in which she explores mutability—of identity and gender, natural landscapes and phenomena, language and meaning. Grounded in Minimalism and shaped by language, Horn’s sculptures, drawings, prints, photographs, books, and installations reveal the subtle, moment-by-moment shifts in an expression, nature, or the meaning of words on a page. In Becoming a Landscape (1999-2001) and Still Water (The River Thames, for Example) (1999), she presents a series of photographs of the Icelandic landscape and of the Thames, respectively, that convey their state of unending change. In addition to Iceland and water, Horn focuses on Emily Dickinson’s poetry and her own androgyny. In a.k.a. (2008), she documents the mutability of her identity—at one the wellspring for all of her work the lens through which she views the world.

Career Highlights
Learn more about artist insights.
Blue chip status
Blue chip representation
Represented by internationally reputable galleries.
User
Solo show at a major institution
Centre Pompidou, and 9 more
Group
Group show at a major institution
The Museum of Modern Art (MoMA), and 14 more
Institution
Collected by a major institution
Tate, and 1 more
Publication
Reviewed by a major art publication
Artforum, and 4 more
Fair
Included in a major biennial
Venice Biennale International Exhibition, and 2 more