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9 results
Nigel, 2001
laser print in colours on smooth wove paper
76.0 x 60.0 cm
Jan 19, 2023 • Sotheby's
Nigel, 2001
laser print in colours on smooth wove paper
76.0 x 60.0 cm
Jan 19, 2023
Sotheby's
Contemporary Discoveries
Lot 121
Nigel, 2001
Laser print in colours, on smooth wove paper
76 x 59 cm
Sep 7, 2021 • Sotheby's
Nigel, 2001
Laser print in colours, on smooth wove paper
76 x 59 cm
Sep 7, 2021
Sotheby's
Made in Britain
Lot 356
The London Partition (Zone 6), 2017
Executed in 2017, this work is number eight from an edition of ten plus two artist's proofs
59.2 x 83.9cm
Jul 14, 2020 • Christie's
The London Partition (Zone 6), 2017
Executed in 2017, this work is number eight from an edition of ten plus two artist's proofs
59.2 x 83.9cm
Jul 14, 2020
Christie's • London
First Open: Post-War & Contemporary Art Online
Lot 72
The artist should never contemplate making a work of art that is about something; a successful work of art can only ever be about nothing. The artist’s complete negation of intent thus creating a reflective surface into which the critic, curator or collector can gaze and see only himself - Sol LeWitt, Paragraphs on Conceptual Art, 2012
173 x 57 x 50cm.
May 28, 2020 • Christie's
The artist should never contemplate making a work of art that is about something; a successful work of art can only ever be about nothing. The artist’s complete negation of intent thus creating a reflective surface into which the critic, curator or collector can gaze and see only himself - Sol LeWitt, Paragraphs on Conceptual Art, 2012
173 x 57 x 50cm.
May 28, 2020
Christie's
Handpicked: 100 Works Selected by the Saatchi Gallery
Lot 67
The artist should never contemplate making a work of art that is about something; a successful work of art can only ever be about nothing. The artist’s complete negation of intent thus creating a reflective surface into which the critic, curator or collector can gaze and see only himself - Sol LeWitt, Paragraphs on Conceptual Art, 1967, 2012
plaster bust and mirror on plinth
173 x 57 x 50cm
May 12, 2020 • Christie's
The artist should never contemplate making a work of art that is about something; a successful work of art can only ever be about nothing. The artist’s complete negation of intent thus creating a reflective surface into which the critic, curator or collector can gaze and see only himself - Sol LeWitt, Paragraphs on Conceptual Art, 1967, 2012
plaster bust and mirror on plinth
173 x 57 x 50cm
May 12, 2020
Christie's • London
Handpicked: 100 Works Selected by the Saatchi Gallery
Lot 67
Long Live Death, 2012
Executed in 2012, this work is number one from an edition of three plus one artist's proof
219 x 150cm
Mar 19, 2019 • Christie's
Long Live Death, 2012
Executed in 2012, this work is number one from an edition of three plus one artist's proof
219 x 150cm
Mar 19, 2019
Christie's • London
Handpicked: 50 works selected by the Saatchi Gallery - Online
Lot 69
Pink Cher, 2008
screenprint and acrylic on canvas
300 x 200cm
Mar 10, 2017 • Christie's
Pink Cher, 2008
screenprint and acrylic on canvas
300 x 200cm
Mar 10, 2017
Christie's • London, South Kensington
Handpicked: 100 Works Selected by the Saatchi Gallery
Lot 17
How I Sunk American Vogue, 2006
digital print, paperclip, sellotape and shoe, in twelve parts
27.51 x 20.5 cm
Feb 6, 2014 • Christie's
How I Sunk American Vogue, 2006
digital print, paperclip, sellotape and shoe, in twelve parts
27.51 x 20.5 cm
Feb 6, 2014
Christie's • New York
90s to Now - Online
Lot 144
How I'd Sink American Vogue, 2006
Executed in 2006, this work is number one from an edition of three plus one artist's proof
27.5 x 20.5cm
Feb 6, 2014 • Christie's
How I'd Sink American Vogue, 2006
Executed in 2006, this work is number one from an edition of three plus one artist's proof
27.5 x 20.5cm
Feb 6, 2014
Christie's • London, South Kensington
90s To Now - Online Only
Lot 144
