Trisha Holt uses photographic prints both props in her performative installations, and as a means of presenting the resulting compositions. Holt, who received her training in photography, is known for using collage, repetition, and distortion in her works, and also for frequently featuring herself as both a subject and a prop. Her existing series include “Trigger Warning,” in which Holt captures objects, colors, and gestures that remind the artist of her recently deceased grandparents. Better known are her “Lovechild” works (2012), in which each image is based on an interpretive and abstract mix of two well-known, creative figures. In these, Holt uses one large blow-up photographic print with strategic cut-outs as clothing, a mask, or furniture in a scene that she then re-photographs.