Tsukioka Yoshitoshi

Ugo no sangetsu, Tokimune (After the Mountain Rain, Tokimune), no. 9; Inabayama no tsuki (Moon over Mount Inaba), no. 7; and Taira no Tadanori, no. 86, from the series Tsuki hyakushi (100 Aspects of the Moon), 1885

Aoyanagi Harunosuke; Jiraiya; Hatchōtsubute Kiheiji Tsuma Yatsushiro (Hatchōtsubute Kiheiji's wife Yatsushiro); Kisō Komawakamaru Yoshinaka; Satomi Jirōtarō Yoshinari; Akamatsu Jūtamaru Takanori and the ghost of Yaehata-hime; Fujinami Yukarinosuke; The woman Kansuke; Kinezumi Kobōshi Kaiden; Ōtomo Wakana-hime; Inue Shinbei Masashi; Tera koshō Shiragikumaru (The Temple Acolyte Shiragikumaru); Takiyasha-hime, from the Series Biyū Suikoden (Handsome and Brave Heroes of the Water Margin), 1866

Tamiya Bōtarō no hanashi (The Story of Tamiya Bōtarō); Enmei'in Nittō no hanashi (The Story of Priest Nittō at Enmei Temple), both from the series Shinsen azuma nishiki-e (New Selection of Eastern Brocade Pictures), 1885

Taira Koremochi Togakushiyama kijo taiji no zu (Taira Koremochi Vanquishes a Female Demon at Togakushi Mountain), 1887

Kintarō rigyo o toru (Kintaro Captures the Carp), 1885

Enmei'in Nittō no hanashi (The Story of Priest Nittō at Enmei Temple) from the series Shinsen azuma nishiki-e (New Selection of Eastern Brocade Pictures); The Demon of Rashōmon visiting Watanabe no Tsuna disguised as an old woman in order to retrieve her severed arm, from the series Yoshitoshi manga (Sketches by Yoshitoshi); Takashima Ōiko no hanashi (The Story of Takashima Ōiko), 1885

Seigen daraku no zu (The Depravity of Seigen), 1889

Gōketsu kijutsu kurabe (A Competition Among Powerful Magicians); Tōdai Sannōzan sensō no zu (The Battle of Sannō Shrine at Tōeizan Temple)

Mongaku aragyō no zu (Picture of the Penance of Mongaku), 1885

Shunkan sōzu Kikaigashima ni oite Tamatama Yasuyori no shamen ni ai kito o senbosu no zu (Shunkan Watches Enviously from Kikai Island as Yasuyori Is Unexpectedly Pardoned and Returns to the Capital), 1886

Various series with humorous and fantastical themes, some with sources from Chinese and Japanese folk tales, 1881

Various series with humorous and fantastical themes, some with sources from Chinese and Japanese folk tales

Mongaku aragyō no zu (Picture of the Penance of Mongaku), 1885

Gokokujo Taiheiki (A Woman Saving the Nation, from the Taiheiki Chronicle); Zen Taiheiki Sōma dairi no zu (The Palace at Sōma in the Earlier Taiheiki Chronicle), 1868

I Want to Wash My Hands; I Want to Go Abroad; I Want to Be Massaged; I Want to Be Warm; I Want Another Drink, from the Series Mitate Tai Zukushi (Collection of Desires), 1878

Dark: Habits of a Housewife of the Meiji era; Painful: Habits of a Prostitute of the Kansei era; Chilly: Habits of a Concubine of the Bunka era; Feminine: Habits of a Keisei (Castle-Toppler) of the Tenpō era; Itchy: Habits of a Concubine of the Kaei era; Undecided: Habits of a Proprietress of the Kaei era; Happy: Habits of a Modern Geisha of the Meiji era; Strolling: Habits of the Wife of a Nobleman of the Meiji era; Warm: Habits of an Urban Widow of the Kansei Era, from the Series Fūzoku Sanjūnisō (32 Aspects of Customs and Manners), 1888

Naoyuki Conquers the Old Badger at Fukushima's Mansion; Raikō (Yorimitsu) and His Four Companions Conquering the Demon of Ōe Mountain; Demons of Illness and Poverty Stalking the Lucky Gods; Portraits of the Successive Generations of the Tokugawa; The Great Battle of Yashima, 1864

Kobayakawa Takakage debating with the Tengu of Mount Hiko; The Priest Raigō of Mii Temple transformed into a rat by his wicked thoughts; The ghost of the wicked Genta Yoshihira attacking Nanba Jirō at Nunobiki Waterfall; The Death Stone of Nasu Moor; Taira no Koremochi vanquishing the Demon of Mount Togakushi; Takeda Katsuchiyo killing an old badger in the moonlight, from the Series Shinkei Sanjūrokkaisen (New Forms of 36 Ghosts), 1889

Kingo Chūnagon Hideaki; Odera Sagami; Ban Dan'emon, from the Series Kaidai Hyakusen Sō (100 Types Selected by Yoshitoshi), 1868

Kogakure no Kiritarō Saving Seiriki at Ōtawara from the series Suikoden of the Tenpō Era; The Surrender of the Rebels at Kagoshima; No. 94 Emperor Godaigo from the series Concise Illustrated History of Great Japan; The Rebel Insurrection in the Kagoshima Disturbance from the series Annals of the Meiji Era, 1877

Series Shinkei Sanjūrokkaisen (New Forms of 36 Ghosts), 1889

Kaizoku Gonzō (Gonzō the Pirate); Itō Yosōta; Wakashima Gon'emon; Kotegara Hanji; Kimura Matazō, from the Series Azuma no Nishiki Ukiyo Kōdan (Tales of the Floating World on Eastern Brocade), 1867

Ichikawa Danjūrō IX in the role of Katō Kiyomasa, from the series Barometer of Emotions; Ōtani Tomoemon in two different roles, male and female; The actor Nakamura Shikan IV from the series Elegant Portraits of Actors; Bandō Hikosaburō V in the role of Hashiba Hideyoshi from the series Seven Brilliant Stars

The Kitsune Owari restaurant at Sanjūkken Canal from the series Specialties of Restaurants in the Imperial City; The Owariya restaurant at the Kanasugi Bank from the series Beautiful Women and Fancy Dishes in Tokyo; Nobles viewing a Noh play at the Ōuchi in Kyoto from the series Tōkaidō; Hiratsuka and Okabe from the series 53 Stations of the Fan [of the Tōkaidō Road]; Sasai Orie from the series Biographies of Valiant Drunken Tigers; Araoi Tomekichi and Natsume Shinsuke from the series Biographies of Modern Men

Yatsunada attacking Saohime's castle; Udaishō Minamoto Yoritomo, from the series Mirror of Famous Generals of Japan; Danshichi Kurobei; Kasamori Osen; Inada Kyūzō Shinsuke, from the series 28 Famous Murders with Verse; The Lonely House at Adachigahara in Ōshū

Kusunoki Tamonmaru Masatsura surprising a fox ghost; Lord Teishin with a demon behind a screen; Iga no Tsubone with a tengu; Lord Mashiba Hisayoshi, the Tairyō, in lightning; Shirafuji Genta with a kappa; The consort Kayō holding a severed head, from the series Wakan hyakumonogatari (100 Ghost Stories of Japan and China); Lord Wake no Kiyomaro [2]; Hitsu no Saishō Haruhira [2]; Ōkubo Hikozaemon Tadanori [2], from the series Kōkoku nijūshi kō (24 Accomplishments in Imperial Japan), 1865

Sanada Saemon-no-jō Yukimura; Yodo no kimi; Chao Gai, the Pagoda-shifting Heavenly King; Zhang Fei; Asahina Saburō Yoshihide; Shima Sakon and the severed head of Saito Daihachi at Horagatōge, from the series Ikkai zuihitsu (Essays by Yoshitoshi); Sagami Jirō Taira no Masakado; Hachiman Tarō Yoshiie; Endō Musha Moritō [2]; Lord of Tōtōmi Hōjō Tokimasa; Lord of Sagami Hōjō Takatoki; Hatakeyama Shōji Shigetada; Danjō Matsunaga Hisahide; Katō Kiyomasa, from the series Yoshitoshi musha burui (Yoshitoshi's Courageous Warriors), 1872

The hours of 3 A.M and 7 P.M., from the series Shinryū nijūyoji (24 Hours at Shinbashi and Yanagibashi); Japanese Imperial court ladies Marikoji Yoshiko; Nishinotōin Shigeko; Takakura Sumiko paired with flowers, from the series Bijin shichiyōka (Beauties and Seven Daytime Flowers); Matsushima no Tsubone from the series Kokon hime kagami (Mirror of Beauties Past and Present); Konoe-ke no rōjo Muraoka (The Senior Lady-in-Waiting Muraoka of the Konoe Clan) from the series Kinsei jinbutsushi (Chronicles of Personalities of Recent Times); Kuchi-e of a Shirabyōshi dancer; Kuchi-e depicting a courtesan's ghost with a jawless skull, 1878

Moon of the Southern Sea; A poem by Sugawara no Michizane; Faith in the Third-day Moon—Yukimori; The Moon's Inner Vision—Taira no Tomoume; Moon of the Enemy's Lair—Little Prince Usu; Hazy-night Moon—Kumasaka; Mount Tobisu Dawn Moon—Toda Hanbei Shigeyuki; Received Back into Moon Palace—Bamboo Cutter; Uesugi no Terutora (Kenshin) with a poem, from the Series Tsuki Hyakushi (One Hundred Aspects of the Moon), 1885

The Moon of the Moor—Yasumasa; A poem by Akazome Emon; Inamura Promontory Moon at Daybreak; An anonymous poem about moonflowers; Moon of the Enemy's Lair—Little Prince Usu; Moon of the Pleasure Quarters; The Gion District; Sumiyoshi Full Moon—Lord Teika; The Village of the Shi Clan on a Moonlit Night—Nine-dragon Tattoo; A poem by Minamoto no Tsunenobu; A poem by Wang Changling; Lunacy—Unrolling Letters, from the Series Tsuki Hyakushi (One Hundred Aspects of the Moon), 1885

Kitayama Moon—Toyohara Sumiaki; Poem, By Now You Must Be Near Komakata a Cuckoo Calls—Takao; Maeda no Munehisa (Gen'i) with a poem; Theater-district Dawn Moon; Ishiyama Moon; A poem, Full Moon on the Tatami Mats Shadows of the Pine Branches—Kikaku; Inamura Promontory Moon at Daybreak; A poem by Oshun Hitotose; Mount Tobisu Dawn Moon—Toda Hanbei Shigeyuki; The Moon Through a Crumbling Window; Rising Moon over Mount Nanping—Cao Cao, from the Series Tsuki Hyakushi (One Hundred Aspects of the Moon), 1885

Lunacy—Unrolling Letters; In the Moonlight Under the Trees a Beautiful Woman Comes; A Buddhist Monk Receives Cassia Seeds on a Moonlit Night; A poem by Horikawa no Yorimune and portraying Taira no Tadanori; Moon of the Red Cliffs; Gravemarker Moon; Moon of the Lonely House; Seson Temple Moon—Captain Yoshitaka; A poem by Fujiwara no Kintō; Hazy-night Moon—Kumasaka; An anonymous poem about moonflowers, from the Series Tsuki Hyakushi (One Hundred Aspects of the Moon), 1885

Moon of Kintoki's Mountain; Chang E Flees to the Moon; An Iron Cauldron and the Moon at Night—Kofuna no Gengo and Kōshi Hanzō; The Moon Through a Crumbling Window; The Moon of the Milky Way; Moon of the Southern Sea; A poem by Uesugi no Terutora (Kenshin); A poem, Since the Crescent Moon I Have Been Waiting for Tonight—Old Man, depicting the poet Matsuo Bashō; The portrait of Tsukioka Yoshitoshi, from the Series Tsuki Hyakushi (One Hundred Aspects of the Moon), 1885

TSUKIOKA YOSHITOSHI (1839-1892), circa 1885

TSUKIOKA YOSHITOSHI (1839-1892), 1888

TSUKIOKA YOSHITOSHI (1839-1892), circa 1885-1886

Taira Koremochi Togakushiyama kijo taiji no zu (Taira Koremochi vanquishes a female demon at Togakushi Mountain)

A group of two triptychs

Rashomon Watanabe no Tsuna oniudekiri no zu (Watanabe no Tsuna cutting off the demon's arm at the Rashomon gate), 1887

Gikeiki Gojobashi no zu (Yoshitsune and Benkei fighting on Gojo Bridge), 1881

TSUKIOKA YOSHITOSHI (1839-1892), 1890

Fujiwara Yasumasa gekka roteki zu (Fujiwara Yasumasa plays the flute by moonlight), 1883

Hana (Flower): Ichikawa Sadanji as Gosho no Gorozo

TSUKIOKA YOSHITOSHI (1839-1892), late 19th/early 20th century

TSUKIOKA YOSHITOSHI (1839-1892), circa 1885-1886

Fujiwara no Yasumasa Playing the Flute by Moonlight, late 19th century

TSUKIOKA YOSHITOSHI (1839-1892), 1883

TSUKIOKA YOSHITOSHI (1839-1892), 1860s

TSUKIOKA YOSHITOSHI (1839-1892), 1885

TSUKIOKA YOSHITOSHI (1839-1892), 1882