Sculptor William King is widely renowned for his signature flattened and stilt-legged figures, gesturing dramatically. Humorous and rife with social commentary, his work first offered an alternative to Abstract Expressionism in the 1950s, then to Minimalism and conceptual art in the 1960s and 1970s. Through one radical art historical shift after another, King has maintained his commitment to the figure and social realism. Working with aluminum and vinyl, he arranges his painted figures in configurations that transform various social activities into satirical or fantastic situations. A man in a business suit with hands in his pockets is a recurring figure throughout his work.