Zhang Peili

Chinese, b. 1957

226 followers
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Zhang Peili

Chinese, b. 1957

226
Followers
Biography

Considered the father of video art in China, Zhang Peili has been producing incisive, internationally acclaimed works since the 1980s, building a career that ushered in and encompasses the entire history of Chinese video art. Keenly critical of his country’s authoritarian leadership, he sees his work as a form of protest revealing the forces shaping Chinese society and the lives of its citizens. Inspired by the endurance-testing videos of artists like Andy Warhol and Bruce Nauman, Zhang uses mundane, repetitive actions and scenes to demonstrate the absurdity and destructiveness of ritualized behavior and social norms. 30 x 30 (1988), his first video work, is an intentionally excruciating three-hour loop of a pair of gloved hands shattering a mirror, then piecing it back together—an acerbic critique of the rage for watching television, yet another form of thought-control in China.

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Career Highlights
Learn more about artist insights.
User
Solo show at a major institution
The Museum of Modern Art (MoMA)
Group
Group show at a major institution
The Museum of Modern Art (MoMA), and 2 more
Institution
Collected by a major institution
Museum of Modern Art (MoMA)
Publication
Reviewed by a major art publication
Artforum, and 5 more
Fair
Included in a major biennial
Venice Biennale International Exhibition, and 2 more
Biography

Considered the father of video art in China, Zhang Peili has been producing incisive, internationally acclaimed works since the 1980s, building a career that ushered in and encompasses the entire history of Chinese video art. Keenly critical of his country’s authoritarian leadership, he sees his work as a form of protest revealing the forces shaping Chinese society and the lives of its citizens. Inspired by the endurance-testing videos of artists like Andy Warhol and Bruce Nauman, Zhang uses mundane, repetitive actions and scenes to demonstrate the absurdity and destructiveness of ritualized behavior and social norms. 30 x 30 (1988), his first video work, is an intentionally excruciating three-hour loop of a pair of gloved hands shattering a mirror, then piecing it back together—an acerbic critique of the rage for watching television, yet another form of thought-control in China.

Career Highlights
Learn more about artist insights.
User
Solo show at a major institution
The Museum of Modern Art (MoMA)
Group
Group show at a major institution
The Museum of Modern Art (MoMA), and 2 more
Institution
Collected by a major institution
Museum of Modern Art (MoMA)
Publication
Reviewed by a major art publication
Artforum, and 5 more
Fair
Included in a major biennial
Venice Biennale International Exhibition, and 2 more
Articles Featuring Zhang Peili
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