Aaron Siskind, ‘Selected images of Harlem’, 1932-1940, Phillips

Varying dimensions from 8 3/4 x 8 1/8 in. (22.2 x 20.6 cm) to 11 x 8 7/8 in. (27.9 x 22.5 cm)

Titles include: Grocery Store, Harlem, 1940; Harlem (PEACE), 1935; Boy's Head, Harlem, 1932; Facade, Unoccupied Building, Harlem, 1937; Lady in Kitchen, Harlem, 1937; Harlem, 1937

Signature: Five signed in ink in the margin; one signed in pencil on the verso; each titled and dated in an unidentified hand in pencil on the verso.

Phaidon, Aaron Siskind 55, p. 21

About Aaron Siskind

Though he began his career as a documentary photographer, Aaron Siskind turned away from representation and towards abstraction in the 1940s, using his camera to capture the graphic patterns, shapes, and forms he observed around him. By carefully framing his subjects, he would transform strands of seaweed on the sand into calligraphic brushstrokes, peeling paint into low-relief sculptures, or graffiti on a wall into a Franz Kline canvas. Siskind influenced and was influenced by the Abstract Expressionists, his photographs frequently exhibited alongside their paintings.

American, 1903-1991, New York, New York