Adam Fuss on His Cameraless Images and Experimenting with Live Snakes
from the Rede Leonardo Portfolio 2016, portfolio of seven Pigment Prints by various artists, benefiting the Rede Leonardo Foundation in Caldas da Rainha, Portugal
Image rights: Adam Fuss
Publisher: Adamson Editions, Washington DC
Printed by Adamson Editions, Washington DC
Photographer Adam Fuss places living and non-living objects, including balloons, flowers, water, babies, animal entrails, and skulls, directly onto Cibachrome paper and exposes them to light, making photograms that explore imperfection, intimacy, nostalgia, and the passage of time. In the 2010 series “Home and the World,” Fuss’s gelatin silver print photograms and large-scale daguerreotypes record groupings of live snakes on stained mattresses and a close up of a vagina. Snakes and Ladders (a Jain morality-teaching tool developed in India during the 16th century), ancient mythology, and the work of social symbolism scholar Carl Schuster all inform Fuss’s poetic imagery.
British, b. 1961, London, United Kingdom, based in New York, New York