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tapestry, 1975

Hand-woven maguey fiber
57 × 83 in
144.8 × 210.8 cm
Edition 36/100
This is part of a limited edition set.
Bidding closed
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About the work
W
Wright

This work is number 36 from the edition of 100 published by C.A.C. Publications and Bon Art, …

Read more

This work is number 36 from the edition of 100 published by C.A.C. Publications and Bon Art, Guatemala.

For condition information, please contact [email protected].

Signature
Woven signature, date and number to lower edge 'CA 75 36/100
Manufacturer
C.A.C. Publications and Bon Art, Guatemala
Alexander Calder
American, 1898–1976
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American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a term coined by Marcel Duchamp in 1931 to describe his work) consist of abstract shapes made of industrial materials––often poetic and gracefully formed and at times boldly colored––that hang in an uncanny, perfect balance. His complex assemblage Cirque Calder (1926–31), which allowed for the artist’s manipulation of its various characters presented before an audience, predated Performance Art by some 40 years. Later in his career, Calder devoted himself to making outdoor monumental sculptures in bolted sheet steel that continue to grace public plazas in cities throughout the world.

Save
Save
view
View in room
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Save
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view
View in room
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About the work
W
Wright

This work is number 36 from the edition of 100 published by C.A.C. Publications and Bon Art, …

Read more

This work is number 36 from the edition of 100 published by C.A.C. Publications and Bon Art, Guatemala.

For condition information, please contact [email protected].

Signature
Woven signature, date and number to lower edge 'CA 75 36/100
Manufacturer
C.A.C. Publications and Bon Art, Guatemala
Alexander Calder
American, 1898–1976
Follow

American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a term coined by Marcel Duchamp in 1931 to describe his work) consist of abstract shapes made of industrial materials––often poetic and gracefully formed and at times boldly colored––that hang in an uncanny, perfect balance. His complex assemblage Cirque Calder (1926–31), which allowed for the artist’s manipulation of its various characters presented before an audience, predated Performance Art by some 40 years. Later in his career, Calder devoted himself to making outdoor monumental sculptures in bolted sheet steel that continue to grace public plazas in cities throughout the world.

tapestry, 1975

Hand-woven maguey fiber
57 × 83 in
144.8 × 210.8 cm
Edition 36/100
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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