Aglaia Konrad, ‘Undecided Frames (désert de Gobi, 2000)’, 2016, Nadja Vilenne

UNDECIDED FRAMES. The decision to call the property of similarity between particular kinds of photos, usually two, undecidable, and thus create an entirely new way of looking at these photos, is, in the view of his author, a hugely courageous choice.

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