Alain Jacquet, ‘Le Dejeuner sur l’herbe’, 1964, Print, Photo screenprint on canvas, in 2 parts, Phillips
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Alain Jacquet

Le Dejeuner sur l’herbe, 1964

Photo screenprint on canvas, in 2 parts
69 × 38 1/2 in
175.3 × 97.8 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
P
Phillips

PROPERTY FROM THE COLLECTION OF DAVID BOWES
Each: 69 x 38 1/2 in. (175.3 x 97.8 cm.)

Medium
Signature
Each titled and dated "le dejenuer sur l'herbe 1964" on the reverse; further signed "Alain Jacquet" on the reverse of the left panel
Alain Jacquet
French, 1939–2008
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Associated with the French Nouveau Réalisme and American Pop art movements, Alain Jacquet was celebrated for his playful investigations into the nature of images, from mass media photographs and advertisements to NASA’s pictures of Earth and canonical Old Master and modern paintings. “It’s a visual, formal thing,” he once explained. “I’m fascinated by the way a picture can break down into the tiniest abstract elements close up, then reappear as a pictorial image.” The abstract elements to which he refers are Ben Day dots, famously co-opted by his contemporary, Roy Lichtenstein. These appeared in many of Jacquet’s paintings and photo-screened compositions, enlarged into abstract patterns or used as the building blocks of his images. Among his best-known works, which brought him early notice, is Déjeuner sur l’herbe (1964), his tongue-in-cheek restaging of Manet’s masterpiece, rendered entirely in Ben Day dots.

Alain Jacquet, ‘Le Dejeuner sur l’herbe’, 1964, Print, Photo screenprint on canvas, in 2 parts, Phillips
Save
Save
View
View in room
Share
Share
P
Phillips

PROPERTY FROM THE COLLECTION OF DAVID BOWES
Each: 69 x 38 1/2 in. (175.3 x 97.8 cm.)

Medium
Signature
Each titled and dated "le dejenuer sur l'herbe 1964" on the reverse; further signed "Alain Jacquet" on the reverse of the left panel
Alain Jacquet
French, 1939–2008
Follow

Associated with the French Nouveau Réalisme and American Pop art movements, Alain Jacquet was celebrated for his playful investigations into the nature of images, from mass media photographs and advertisements to NASA’s pictures of Earth and canonical Old Master and modern paintings. “It’s a visual, formal thing,” he once explained. “I’m fascinated by the way a picture can break down into the tiniest abstract elements close up, then reappear as a pictorial image.” The abstract elements to which he refers are Ben Day dots, famously co-opted by his contemporary, Roy Lichtenstein. These appeared in many of Jacquet’s paintings and photo-screened compositions, enlarged into abstract patterns or used as the building blocks of his images. Among his best-known works, which brought him early notice, is Déjeuner sur l’herbe (1964), his tongue-in-cheek restaging of Manet’s masterpiece, rendered entirely in Ben Day dots.

Alain Jacquet

Le Dejeuner sur l’herbe, 1964

Photo screenprint on canvas, in 2 parts
69 × 38 1/2 in
175.3 × 97.8 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Alain Jacquet