Collection: Brooklyn Museum, Brooklyn
Image rights: Brooklyn Museum photograph.
Dick S. Ramsay Fund, Healy Purchase Fund B, Frank L. Babbott Fund, A. Augustus Healy Fund, Ella C. Woodward Memorial Fund, Carll H. de Silver Fund, Charles Stewart Smith Memorial Fund, Caroline A.L. Pratt Fund, Frederick Loeser Fund, Augustus Graham School of Design Fund, Museum Collection Fund, Special Subscription, and John B. Woodward Memorial Fund; Purchased with funds given by Daniel M. Kelly and Charles Simon; Bequest of Mrs. William T. Brewster, Gift of Mrs. W. Woodward Phelps in memory of her mother and father, Ella M. and John C. Southwick, Gift of Seymour Barnard, Bequest of Laura L. Barnes, Gift of J.A.H. Bell, and Bequest of Mark Finley, by exchange, 76.79.
About Albert Bierstadt
A member of the Hudson River School of painting—a loosely associated group of romantic American landscape artists, whose sublime luminosity later prompted the term Luminism—German-born Albert Bierstadt produced hundreds of large-scale sweeping oil paintings of the American West over the course of his prolific career. Joining land surveyors and parties on journeys of Westward expansion, Bierstadt depicted numerous classic vistas, such as the Rocky Mountains, the Oregon Trail, Yosemite, and other virgin landscapes, as well as scenes of Native Americans and wild animals. Though his work was acclaimed and fetched considerable sums during his lifetime, Bierstadt also drew criticism from some contemporary reviewers for his excessive effects, including dramatic weather systems, saturated light, overbearing scale, and color that could verge on expressionistic. Bierstadt studied under the German romantic painter Karl Friedrich Lessing.
German-American, 1830-1902, Solingen, Germany, based in New York, NY, United States