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Albrecht Dürer

Apollo And Diana (Bartsch 68; Meder 64), circa 1503-4

Engraving
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About the work
Provenance
D
Doyle

a very good Meder a/b impression, trimmed to or just within the image, framed.
Hill-Stone Inc., New …

Read more

a very good Meder a/b impression, trimmed to or just within the image, framed.
Hill-Stone Inc., New York

Sheet: 4.5 x 2.875 inches; 114 x 73 mm.

Ex-collection:
Emil M. Baerwald (Lugt 885c)

Condition: Minor soiling or printer's ink, a few small foxing spots verso, some unobtrusive hinge residue at sheet edges verso, …

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Albrecht Dürer
German, 1471–1528
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Considered one of the foremost artists of the Renaissance period, Albrecht Dürer’s extensive work in printmaking transformed the categorization of the medium from craft to fine art. Often depicting religious subjects, Dürer’s woodcuts and engravings demonstrated unprecedented technical skill, tonal variation, and compositional sophistication. Dürer theorized extensively on linear perspective and anatomical proportion, concerns that were articulated in a vast body of written work as well as in his paintings and prints. Dürer’s skill earned him the role of court artist for Holy Roman Emperors Maximilian I and Charles V, under whom he created a number of paintings and altarpieces. Dürer’s series of self-portraits, created throughout his career, represent some of his most iconic works.

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About the work
Provenance
D
Doyle

a very good Meder a/b impression, trimmed to or just within the image, framed.
Hill-Stone Inc., New …

Read more

a very good Meder a/b impression, trimmed to or just within the image, framed.
Hill-Stone Inc., New York

Sheet: 4.5 x 2.875 inches; 114 x 73 mm.

Ex-collection:
Emil M. Baerwald (Lugt 885c)

Condition: Minor soiling or printer's ink, a few small foxing spots verso, some unobtrusive hinge residue at sheet edges verso, …

Read more
Albrecht Dürer
German, 1471–1528
Follow

Considered one of the foremost artists of the Renaissance period, Albrecht Dürer’s extensive work in printmaking transformed the categorization of the medium from craft to fine art. Often depicting religious subjects, Dürer’s woodcuts and engravings demonstrated unprecedented technical skill, tonal variation, and compositional sophistication. Dürer theorized extensively on linear perspective and anatomical proportion, concerns that were articulated in a vast body of written work as well as in his paintings and prints. Dürer’s skill earned him the role of court artist for Holy Roman Emperors Maximilian I and Charles V, under whom he created a number of paintings and altarpieces. Dürer’s series of self-portraits, created throughout his career, represent some of his most iconic works.

Albrecht Dürer

Apollo And Diana (Bartsch 68; Meder 64), circa 1503-4

Engraving
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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