The Adoration of the Lamb, from: The Apocalypse (B. 67; M., Holl. 176; S.M.S. 124)

Woodcut, circa 1496-97, without watermark, a good impression from the rare German text edition of 1498, trimmed on the borderline, some minor staining and surface dirt, a few short repaired nicks and tears at the sheet edges, otherwise in good condition.

Hamburger Kunsthalle, Hamburg, with their duplicate stamp (L. 686).

Unidentified (possibly L. 2899).

About Albrecht Dürer

Considered one of the foremost artists of the Renaissance period, Albrecht Dürer’s extensive work in printmaking transformed the categorization of the medium from craft to fine art. Often depicting religious subjects, Dürer’s woodcuts and engravings demonstrated unprecedented technical skill, tonal variation, and compositional sophistication. Dürer theorized extensively on linear perspective and anatomical proportion, concerns that were articulated in a vast body of written work as well as in his paintings and prints. Dürer’s skill earned him the role of court artist for Holy Roman Emperors Maximilian I and Charles V, under whom he created a number of paintings and altarpieces. Dürer’s series of self-portraits, created throughout his career, represent some of his most iconic works.

German, 1471-1528, Nuremberg, Germany, based in Nuremberg, Germany

Exhibition Highlights On Artsy

Chefs-d’oeuvre de Budapest, Musée du Luxembourg, Paris
The Sultan's World: The Ottoman Orient in Renaissance Art, Centre for Fine Arts (BOZAR), Brussels