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a Meder g impression on laid paper with large watermark of a Strasbourg lily, sheet 400 x 287 mm. (15 3/4 x 11 1/4 in), crease to upper left corner with surface dirt, four repaired nicks along the left edge, repair to upper right corner, crease with repaired splitting in the lower right quadrant (unframed)

Medium

Considered one of the foremost artists of the Renaissance period, Albrecht Dürer’s extensive work in printmaking transformed the categorization of the medium from craft to fine art. Often depicting religious subjects, Dürer’s woodcuts and engravings demonstrated unprecedented technical skill, tonal variation, and compositional sophistication. Dürer theorized extensively on linear perspective and anatomical proportion, concerns that were articulated in a vast body of written work as well as in his paintings and prints. Dürer’s skill earned him the role of court artist for Holy Roman Emperors Maximilian I and Charles V, under whom he created a number of paintings and altarpieces. Dürer’s series of self-portraits, created throughout his career, represent some of his most iconic works.

Collected by major museums
National Gallery of Art, Washington, D.C., Indianapolis Museum of Art at Newfields, J. Paul Getty Museum, Cooper Hewitt, Smithsonian Design Museum , Cleveland Museum of Art
Selected exhibitions
2019
Selections from the Department of Drawings and Prints: Leonardo da VinciThe Metropolitan Museum of Art
2018
The Renaissance NudeJ. Paul Getty Museum
2015
Might and Glory. Dürer in the Emperor’s ServiceStatens Museum for Kunst
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The Martyrdom of Saint Catherine, circa 1498

Woodcut
15 7/10 × 11 3/10 in
40 × 28.7 cm
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FA
Forum Auctions

a Meder g impression on laid paper with large watermark of a Strasbourg lily, sheet 400 x 287 mm. …

Medium

Considered one of the foremost artists of the Renaissance period, Albrecht Dürer’s extensive work in printmaking transformed the categorization of the medium from craft to fine art. Often depicting religious subjects, Dürer’s woodcuts and engravings demonstrated unprecedented technical skill, tonal variation, and compositional sophistication. Dürer theorized extensively on linear perspective and anatomical proportion, concerns that were articulated in a vast body of written work as well as in his paintings and prints. Dürer’s skill earned him the role of court artist for Holy Roman Emperors Maximilian I and Charles V, under whom he created a number of paintings and altarpieces. Dürer’s series of self-portraits, created throughout his career, represent some of his most iconic works.

Collected by major museums
National Gallery of Art, Washington, D.C., Indianapolis Museum of Art at Newfields, J. Paul Getty Museum, Cooper Hewitt, Smithsonian Design Museum , Cleveland Museum of Art
Selected exhibitions (3)
Other works by Albrecht Dürer
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