Save
Save
share
Share
Save
Save
share
Share

Portrait (Ohrring), , 2014

3D print
5 9/10 × 3 × 5 1/5 in
15 × 7.5 × 13.2 cm
This is part of a limited edition set.
€450
Have a question? Read our FAQ.
About the work
Galerie Michaela Stock
Vienna
Follow

Domanovic Aleksandra
Portrait (Ohrring), 2014
Skulptur, 3-D-Druck, Acrystal, Metall-Ohrring, 15 x …

Read more

Domanovic Aleksandra
Portrait (Ohrring), 2014
Skulptur, 3-D-Druck, Acrystal, Metall-Ohrring, 15 x 7,53 x 13,16 cm
Edition ars viva AV, 2014/15, Auflage: 20 (+ 3 AP), Nummer: 14/20

Signature
Yes
Aleksandra Domanović
b. 1981
Follow

Aleksandra Domanoviç’s sculptures and video expand the scope of conventional technological history by illuminating feminist, cyberfeminist, and Eastern European contributions to the development of science and the Internet. Born in the former Yugoslavia but now based in Berlin, Domanoviç builds on the notion that Ada Lovelace was the first computer programmer and that the history of computing is inherently feminist. A recurring feature in her videos, prints, and modeled sculptures is the hand, which functions as a reference to the 1963 Belgrade Hand, an important development in the history of controllable prosthetics. This motif also alludes to early 1990s cyberfeminism, which was invested in the notion of the cyborg as a utopian feminist figure.

Save
Save
share
Share
Save
Save
share
Share
About the work
Galerie Michaela Stock
Vienna
Follow

Domanovic Aleksandra
Portrait (Ohrring), 2014
Skulptur, 3-D-Druck, Acrystal, Metall-Ohrring, 15 x …

Read more

Domanovic Aleksandra
Portrait (Ohrring), 2014
Skulptur, 3-D-Druck, Acrystal, Metall-Ohrring, 15 x 7,53 x 13,16 cm
Edition ars viva AV, 2014/15, Auflage: 20 (+ 3 AP), Nummer: 14/20

Signature
Yes
Aleksandra Domanović
b. 1981
Follow

Aleksandra Domanoviç’s sculptures and video expand the scope of conventional technological history by illuminating feminist, cyberfeminist, and Eastern European contributions to the development of science and the Internet. Born in the former Yugoslavia but now based in Berlin, Domanoviç builds on the notion that Ada Lovelace was the first computer programmer and that the history of computing is inherently feminist. A recurring feature in her videos, prints, and modeled sculptures is the hand, which functions as a reference to the 1963 Belgrade Hand, an important development in the history of controllable prosthetics. This motif also alludes to early 1990s cyberfeminism, which was invested in the notion of the cyborg as a utopian feminist figure.

Portrait (Ohrring), , 2014

3D print
5 9/10 × 3 × 5 1/5 in
15 × 7.5 × 13.2 cm
This is part of a limited edition set.
€450
Have a question? Read our FAQ.
Other works by Aleksandra Domanović
Other works from Galerie Michaela Stock
Related works
Most Similar