Alessandro Balteo-Yazbeck, ‘Exposición de Mercancías – 1era clase, (Modern Entanglements, U.S. Interventions)’, 1965/2015, Henrique Faria Fine Art
Save
Save
Share
Share

Exposición de Mercancías – 1era clase, (Modern Entanglements, U.S. Interventions), 1965/2015

Archival pigment print in silver leaf artist's frame
13 3/16 × 15 11/16 × 3/4 in
33.5 × 39.8 × 1.9 cm
This is part of a limited edition set.
Contact For Price
Location
New York , Miami
Have a question? Visit our help center.
About the work
Henrique Faria Fine Art
New York , Miami

Bilingual Edition of 10: 5 (Spanish version) plus 5 (English version)

Medium
Photography
Alessandro Balteo-Yazbeck
Venezuelan, b. 1972
Follow

Since the 1990s, Alessandro Balteo Yazbeck has developed a hybrid practice that incorporates many mediums. He draws from the processes of curators, historians, and archivists to create narratives from scavenged materials, found archives, and the works of others. His projects have included sculptural objects, films, collages, conceptual installations, and—in the case of some of his best-known work—digitally created photographs made with a faulty scanner. Sometimes, his works take the form of provocative cultural and political statements, which he refers to as narrative “entanglements”. Balteo Yazbeck’s work questions notions of authorship, art historical study, cultural authority, and the dynamics of power in history and contemporary society.

Alessandro Balteo-Yazbeck, ‘Exposición de Mercancías – 1era clase, (Modern Entanglements, U.S. Interventions)’, 1965/2015, Henrique Faria Fine Art
Save
Save
Share
Share
About the work
Henrique Faria Fine Art
New York , Miami

Bilingual Edition of 10: 5 (Spanish version) plus 5 (English version)

Medium
Photography
Alessandro Balteo-Yazbeck
Venezuelan, b. 1972
Follow

Since the 1990s, Alessandro Balteo Yazbeck has developed a hybrid practice that incorporates many mediums. He draws from the processes of curators, historians, and archivists to create narratives from scavenged materials, found archives, and the works of others. His projects have included sculptural objects, films, collages, conceptual installations, and—in the case of some of his best-known work—digitally created photographs made with a faulty scanner. Sometimes, his works take the form of provocative cultural and political statements, which he refers to as narrative “entanglements”. Balteo Yazbeck’s work questions notions of authorship, art historical study, cultural authority, and the dynamics of power in history and contemporary society.

Exposición de Mercancías – 1era clase, (Modern Entanglements, U.S. Interventions), 1965/2015

Archival pigment print in silver leaf artist's frame
13 3/16 × 15 11/16 × 3/4 in
33.5 × 39.8 × 1.9 cm
This is part of a limited edition set.
Contact For Price
Location
New York , Miami
Have a question? Visit our help center.
Other works from Autocratic Nostalgia
Other works by Alessandro Balteo-Yazbeck
Related works
Most Similar