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Easternsports, 2014

Four-channel video, color, sound, with four screens, neon, carpet, vinyl composition tile, metal folding chairs, artificial oranges, orange scent, and diffusers
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About the work
Exhibition history
Whitney Museum of American Art
New York
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Collection of the artists

Score by Devonté Hynes.

Collection of the artists

Score by Devonté Hynes.

Image rights
Courtesy of David Risley Gallery, Copenhagen, and Salon 94, New York. Installation view, Institute of Contemporary Art, University of … Read more
Alex Da Corte
American, b. 1980
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Working as an “anthropologist of the immediate past,” artist Alex Da Corte creates sculpture with the colorful artifacts of turn-of-the-21st-century consumer culture. Da Corte’s reworked everyday objects—both the generic and the branded—take on an otherworldly quality in his constructed environments, videos, and digitally collaged images, or as material, in the case of his shampoo paintings. “I don’t think of sculpture as static, as dead objects. I think of them as tracing an action,” the artist has said of his work. “Sculpture is the unraveling of a familiar object.” In Da Corte’s practice, such unraveling often involves bright colors and crisp advertising imagery, and cameos by pop-culture figures like an ersatz version of Eminem played by the artist himself.

Jayson Musson
American, b. 1977
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Erstwhile known for his hip-hop career and alter ego Hennessy Youngman, Jayson Musson generated a lot of buzz with his first solo gallery exhibition in 2012—comprising a series of “Coogi sweater” pieces that turned the garments of Bill Cosby and Notorious B.I.G. fame into abstract, painterly compositions. “They seemingly lingered on the borders of gestural abstraction,” Musson has said of his materials, which he sewed and stretched into intricate, thickly dimensional compositions. “I made the joke, ‘That Coogi looks like a Pollock.’” Musson’s Youngman character has gained a widespread following on YouTube for his incisive, insightful commentary on art and the art world from the humorous perspective of a hip-hop outsider, “waxin’ poetic” on topics from Louise Bourgeois and Relational Aesthetics to success and creativity. “If you can’t make it, fake it by over-explaining it,” Youngman says in one of the videos.

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About the work
Exhibition history
Whitney Museum of American Art
New York
Follow

Collection of the artists

Score by Devonté Hynes.

Collection of the artists

Score by Devonté Hynes.

Image rights
Courtesy of David Risley Gallery, Copenhagen, and Salon 94, New York. Installation view, Institute of Contemporary Art, University of … Read more
Alex Da Corte
American, b. 1980
Follow

Working as an “anthropologist of the immediate past,” artist Alex Da Corte creates sculpture with the colorful artifacts of turn-of-the-21st-century consumer culture. Da Corte’s reworked everyday objects—both the generic and the branded—take on an otherworldly quality in his constructed environments, videos, and digitally collaged images, or as material, in the case of his shampoo paintings. “I don’t think of sculpture as static, as dead objects. I think of them as tracing an action,” the artist has said of his work. “Sculpture is the unraveling of a familiar object.” In Da Corte’s practice, such unraveling often involves bright colors and crisp advertising imagery, and cameos by pop-culture figures like an ersatz version of Eminem played by the artist himself.

Jayson Musson
American, b. 1977
Follow

Erstwhile known for his hip-hop career and alter ego Hennessy Youngman, Jayson Musson generated a lot of buzz with his first solo gallery exhibition in 2012—comprising a series of “Coogi sweater” pieces that turned the garments of Bill Cosby and Notorious B.I.G. fame into abstract, painterly compositions. “They seemingly lingered on the borders of gestural abstraction,” Musson has said of his materials, which he sewed and stretched into intricate, thickly dimensional compositions. “I made the joke, ‘That Coogi looks like a Pollock.’” Musson’s Youngman character has gained a widespread following on YouTube for his incisive, insightful commentary on art and the art world from the humorous perspective of a hip-hop outsider, “waxin’ poetic” on topics from Louise Bourgeois and Relational Aesthetics to success and creativity. “If you can’t make it, fake it by over-explaining it,” Youngman says in one of the videos.

Easternsports, 2014

Four-channel video, color, sound, with four screens, neon, carpet, vinyl composition tile, metal folding chairs, artificial oranges, orange scent, and diffusers
Want to sell a work by this artist? Consign with Artsy.
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