Alex Hubbard, ‘Hombre Secreto’, 2012, Simon Lee Gallery

About Alex Hubbard

Alex Hubbard records himself assembling, manipulating, and destroying everyday objects, tightly framed and shot from above to form a painterly image. In his 2007 series "The Collapse of the Expanded Field," he arranges, smashes, spray-paints, and clears away a vase of flowers. Referencing Roman Signer and Peter Fischli & David Weiss in its use of slapstick and performative action, Hubbard’s emphasis on materiality also recalls Hans Namuth's films of Jackson Pollock at work. In the live Annotated Plans for an Evacuation performance at the Whitney (2010), the artist continuously altered a used car.

American, b. 1975, Toledo, Oregon, based in Brooklyn, New York

Solo Shows

Fair History on Artsy

2014
Maccarone at Art Basel in Miami Beach 2014
2013
Maccarone at Art Basel 2013