In the 1950s, when the prominent style was Abstract Expressionism, Alex Katz made a radical artistic statement by choosing a more traditional subject: people. His “big face portraits,” as they were affectionately called at the time, were almost always larger than life in size, reflective of the monumental canvases beloved by his Abstract Expressionist peers. Katz’s early portraits also marked the beginning of the Pop Art movement. Much like Andy Warhol, Katz found inspiration in mass media, borrowing the graphic aesthetic of the advertising world and the cinematic compositions of the film industry. Even his portraits of his wife Ada (of which there are over 200) reflect the Pop Art obsession with celebrity. “When [Ada] was young she went to the movies and was very influenced,” Katz once explained. “All her gestures come out of movies...I am really lucky!”
From the "Give Me Tomorrow" Portfolio. Matching edition on each print. Vernis mou and aquatint on Hahnemuehle 300 g paper. Sheet size: 18.125 x 15.5 inches. Image size: 12.125 x 10.5 inches. Each hand signed and numbered. Printed by Aldo Crommelynck, Paris. Co-published by Marlborough Graphics, Inc., New York, and the artist. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers will be considered.
- Materials
- VERNIS MOU AND AQUATINT
- Size
- 18 1/8 × 15 1/2 in | 46 × 39.4 cm
- Rarity
- Medium
- Excellent
- Signature
- Hand-signed by artist, Each hand signed and numbered by the artist.
- Certificate of authenticity
- Included
- Frame
- Not included
MAC, RON, NABIL (GIVE ME TOMORROW PORTFOLIO), 1984
In the 1950s, when the prominent style was Abstract Expressionism, Alex Katz made a radical artistic statement by choosing a more traditional subject: people. His “big face portraits,” as they were affectionately called at the time, were almost always larger than life in size, reflective of the monumental canvases beloved by his Abstract Expressionist peers. Katz’s early portraits also marked the beginning of the Pop Art movement. Much like Andy Warhol, Katz found inspiration in mass media, borrowing the graphic aesthetic of the advertising world and the cinematic compositions of the film industry. Even his portraits of his wife Ada (of which there are over 200) reflect the Pop Art obsession with celebrity. “When [Ada] was young she went to the movies and was very influenced,” Katz once explained. “All her gestures come out of movies...I am really lucky!”
From the "Give Me Tomorrow" Portfolio. Matching edition on each print. Vernis mou and aquatint on Hahnemuehle 300 g paper. Sheet size: 18.125 x 15.5 inches. Image size: 12.125 x 10.5 inches. Each hand signed and numbered. Printed by Aldo Crommelynck, Paris. Co-published by Marlborough Graphics, Inc., New York, and the artist. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers will be considered.
- Materials
- VERNIS MOU AND AQUATINT
- Size
- 18 1/8 × 15 1/2 in | 46 × 39.4 cm
- Rarity
- Medium
- Excellent
- Signature
- Hand-signed by artist, Each hand signed and numbered by the artist.
- Certificate of authenticity
- Included
- Frame
- Not included

