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Alex Prager

Museum Lobby, 2015

Archival pigment print in colours
Edition 43/100
Bidding closed
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About the work
S
Sworders

signed and numbered 43/100 verso, on wove paper, with full margins, within clothbound folder; with …

Read more

signed and numbered 43/100 verso, on wove paper, with full margins, within clothbound folder; with the book 'Silver Lake Drive', published by Thames and Hudson; all within slipcase, slipcase and mailing carton numbered 43/100 in black pen sheet 30 x 24cm, unframed slipcase 25.5 x 32 x 4cm

Alex Prager
American, b. 1979
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Taking aesthetic cues from film, fashion photography, pulp fiction, and her native city of Los …

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Taking aesthetic cues from film, fashion photography, pulp fiction, and her native city of Los Angeles, Alex Prager produces Technicolor photographs with dark, unsettling undercurrents. “I find my inspiration in the city of Los Angeles,” she explains. “It’s a strange picture of perfection—but there is an eerie …

Read more
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share
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About the work
S
Sworders

signed and numbered 43/100 verso, on wove paper, with full margins, within clothbound folder; with …

Read more

signed and numbered 43/100 verso, on wove paper, with full margins, within clothbound folder; with the book 'Silver Lake Drive', published by Thames and Hudson; all within slipcase, slipcase and mailing carton numbered 43/100 in black pen sheet 30 x 24cm, unframed slipcase 25.5 x 32 x 4cm

Alex Prager
American, b. 1979
Follow

Taking aesthetic cues from film, fashion photography, pulp fiction, and her native city of Los …

Read more

Taking aesthetic cues from film, fashion photography, pulp fiction, and her native city of Los Angeles, Alex Prager produces Technicolor photographs with dark, unsettling undercurrents. “I find my inspiration in the city of Los Angeles,” she explains. “It’s a strange picture of perfection—but there is an eerie …

Read more

Alex Prager

Museum Lobby, 2015

Archival pigment print in colours
Edition 43/100
Bidding closed
Want to sell a work by this artist? Learn more.
Other works by Alex Prager