Buffalo

Alexander Calder was an American sculptor born in Lawnton, Pennsylvania in 1898. He's best known as the originator of the mobile. He also produced numerous wire figures, most notably for a vast miniature circus, "Cirque Calder." In addition to sculpture, Calder painted throughout his career, beginning in the early 1920s. His studies in art began in New York at the Art Student's League. During this time, he worked for the National Police Gazette, and in 1925 one of his assignments was sketching the Ringling Brothers and Barnum and Bailey Circus, a theme that would recur throughout his work. He moved to Paris in 1926 where he picked up the study of printmaking and continued to produce illustrations for books and journals. His many projects from this period include pen-and-ink line drawings of animals for a 1931 publication of "Aesop's Fables." During this time, he worked from a studio in Montparnasse, and made friends with a number of avante-garde artists, including Joan Miró, Jean Arp, and Marcel Duchamp. In 1929, he met his wife Louisa James, the grandniece of author Henry James, while traveling by ship from Paris to New York. He contributed many monumental sculptures through public commissions, such as ".125" for JFK Airport in 1957, "La Spirale" for UNESCO in Paris in 1958, "Man (L'Homme)" for Expo 67 in Montreal in 1967, and "El Sol Rojo" as part of the 1968 Summer Olympics Cultural Olympiad in Mexico City. He published his "Autobiography with Pictures" in 1966. He died unexpectedly in November 1976 shortly after opening a major retrospective at the Whitney Museum of American Art in New York, which today houses the largest body of his work. Other important Calder museum collections include the Museum of Modern Art in New York, the Centre Georges Pompidou in Paris, and the Museo Nacional Centro de Arte Reina Sofía in Madrid.

Signature: Signed in lower right corner

Perls Gallery New York 11/76 certified By Calder Foundation in 2015

About Alexander Calder

American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a term coined by Marcel Duchamp in 1931 to describe his work) consist of abstract shapes made of industrial materials––often poetic and gracefully formed and at times boldly colored––that hang in an uncanny, perfect balance. His complex assemblage Cirque Calder (1926–31), which allowed for the artist’s manipulation of its various characters presented before an audience, predated Performance Art by some 40 years. Later in his career, Calder devoted himself to making outdoor monumental sculptures in bolted sheet steel that continue to grace public plazas in cities throughout the world.

American, 1898-1976, Lawnton, Pennsylvania

Exhibition Highlights On Artsy

2016
The Doris and Donald Fisher Collection, San Francisco Museum of Modern Art (SFMOMA), San Francisco
2016
Sculpture on the Move 1946–2016, Kunstmuseum Basel, Basel
2013
Alexander Calder: Avant-Garde in Motion, Calder Foundation, Düsseldorf
2013
Calder / Prouvé, with Galerie Patrick Seguin, Gagosian Gallery, Le Bourget

Solo Shows on Artsy

2016
Alexander Calder: Sharing Negative Space, Dean Borghi Fine Art, New York
2016
CALDER, Heather James Fine Art, Jackson
2013
Alexander Calder: Avant-Garde in Motion, Calder Foundation, Düsseldorf
2013
Calder / Prouvé, with Galerie Patrick Seguin, Gagosian Gallery, Le Bourget

Group Shows on Artsy

2016
The Doris and Donald Fisher Collection, San Francisco Museum of Modern Art (SFMOMA), San Francisco
2016
Sculpture on the Move 1946–2016, Kunstmuseum Basel, Basel
2016
2016
TEFAF Maastricht 2016, Waterhouse & Dodd, London
2015
Tempo, Opera Gallery, Monaco
2015
New realities in the 20th and 21st Century, Opera Gallery, Central Hong Kong
2014
Abu Dhabi Art 2014, Edward Tyler Nahem Fine Art LLC
2013
Alexander Calder, Cahiers d'Art, Paris
View Artist's CV