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Derriere le Miroir #141 (Plate 4), 1963

Lithograph
18 1/2 × 15 1/2 in
47 × 39.4 cm
This is part of a limited edition set.
Contact For Price
location
Washington DC
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
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Want to sell a work by this artist? Consign with Artsy.
About the work
Medium
Print
Signature
Not signed
Certificate of authenticity
Included
Frame
Included
Series
Derriere le Miroir #141 (Stabiles)
Alexander Calder
American, 1898–1976
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American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a term coined by Marcel Duchamp in 1931 to describe his work) consist of abstract shapes made of industrial materials––often poetic and gracefully formed and at times boldly colored––that hang in an uncanny, perfect balance. His complex assemblage Cirque Calder (1926–31), which allowed for the artist’s manipulation of its various characters presented before an audience, predated Performance Art by some 40 years. Later in his career, Calder devoted himself to making outdoor monumental sculptures in bolted sheet steel that continue to grace public plazas in cities throughout the world.

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view
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About the work
Medium
Print
Signature
Not signed
Certificate of authenticity
Included
Frame
Included
Series
Derriere le Miroir #141 (Stabiles)
Alexander Calder
American, 1898–1976
Follow

American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a term coined by Marcel Duchamp in 1931 to describe his work) consist of abstract shapes made of industrial materials––often poetic and gracefully formed and at times boldly colored––that hang in an uncanny, perfect balance. His complex assemblage Cirque Calder (1926–31), which allowed for the artist’s manipulation of its various characters presented before an audience, predated Performance Art by some 40 years. Later in his career, Calder devoted himself to making outdoor monumental sculptures in bolted sheet steel that continue to grace public plazas in cities throughout the world.

Derriere le Miroir #141 (Plate 4), 1963

Lithograph
18 1/2 × 15 1/2 in
47 × 39.4 cm
This is part of a limited edition set.
Contact For Price
location
Washington DC
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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