Alexander Calder, ‘Las Vegas’, 1974, Phillips
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Alexander Calder

Las Vegas, 1974

Gouache and ink on paper
43 3/10 × 29 1/2 in
109.9 × 74.9 cm
Bidding closed
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About the work
Provenance
P
Phillips

Property from the Miles and Shirley Fiterman Collection

Executed in 1974, this work is registered …

Medium
Signature
Signed and dated "Calder 74" lower right
Alexander Calder
American, 1898–1976
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American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a term coined by Marcel Duchamp in 1931 to describe his work) consist of abstract shapes made of industrial materials––often poetic and gracefully formed and at times boldly colored––that hang in an uncanny, perfect balance. His complex assemblage Cirque Calder (1926–31), which allowed for the artist’s manipulation of its various characters presented before an audience, predated Performance Art by some 40 years. Later in his career, Calder devoted himself to making outdoor monumental sculptures in bolted sheet steel that continue to grace public plazas in cities throughout the world.

Alexander Calder, ‘Las Vegas’, 1974, Phillips
Save
Save
View
View in room
Share
Share
About the work
Provenance
P
Phillips

Property from the Miles and Shirley Fiterman Collection

Executed in 1974, this work is registered in the archives of the Calder Foundation, New York, under application number A12713.

Guaranteed Property (see Conditions of Sale for further information)

Medium
Signature
Signed and dated "Calder 74" lower right
Alexander Calder
American, 1898–1976
Follow

American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a term coined by Marcel Duchamp in 1931 to describe his work) consist of abstract shapes made of industrial materials––often poetic and gracefully formed and at times boldly colored––that hang in an uncanny, perfect balance. His complex assemblage Cirque Calder (1926–31), which allowed for the artist’s manipulation of its various characters presented before an audience, predated Performance Art by some 40 years. Later in his career, Calder devoted himself to making outdoor monumental sculptures in bolted sheet steel that continue to grace public plazas in cities throughout the world.

Alexander Calder

Las Vegas, 1974

Gouache and ink on paper
43 3/10 × 29 1/2 in
109.9 × 74.9 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.