Alexander Calder, ‘Meadow Grass’, 1964, Phillips
Alexander Calder, ‘Meadow Grass’, 1964, Phillips
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Meadow Grass, 1964

Gouache and ink on paper
29 1/2 × 42 1/2 in
75 × 108 cm
Bidding closed
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About the work
Provenance
P
Phillips

Property from the Miles and Shirley Fiterman Collection

Executed in 1964, this work is registered …

Read more

Property from the Miles and Shirley Fiterman Collection

Executed in 1964, this work is registered in the archives of the Calder Foundation, New York, under application number A08631.

Guaranteed Property (see Conditions of Sale for further information)

Signature
Signed and dated "Calder 64" lower right
Alexander Calder
American, 1898–1976
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American artist Alexander Calder changed the course of modern art by developing an innovative …

Read more

American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a …

Read more
Alexander Calder, ‘Meadow Grass’, 1964, Phillips
Alexander Calder, ‘Meadow Grass’, 1964, Phillips
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Provenance
P
Phillips

Property from the Miles and Shirley Fiterman Collection

Executed in 1964, this work is registered …

Read more

Property from the Miles and Shirley Fiterman Collection

Executed in 1964, this work is registered in the archives of the Calder Foundation, New York, under application number A08631.

Guaranteed Property (see Conditions of Sale for further information)

Signature
Signed and dated "Calder 64" lower right
Alexander Calder
American, 1898–1976
Follow

American artist Alexander Calder changed the course of modern art by developing an innovative …

Read more

American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a …

Read more

Meadow Grass, 1964

Gouache and ink on paper
29 1/2 × 42 1/2 in
75 × 108 cm
Bidding closed
Want to sell a work by this artist? Learn more.