Alexander Calder, ‘Necklace’, circa 1940, Sotheby's
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Necklace, circa 1940

Brass wire and leather
1/2 × 18 1/2 × 2 3/5 in
1.3 × 47 × 6.7 cm
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About the work
Exhibition history
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Sotheby's

Property from the Jacqueline Fowler Collection

Executed circa 1940, this work is registered in the …

Alexander Calder
American, 1898–1976
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American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a term coined by Marcel Duchamp in 1931 to describe his work) consist of abstract shapes made of industrial materials––often poetic and gracefully formed and at times boldly colored––that hang in an uncanny, perfect balance. His complex assemblage Cirque Calder (1926–31), which allowed for the artist’s manipulation of its various characters presented before an audience, predated Performance Art by some 40 years. Later in his career, Calder devoted himself to making outdoor monumental sculptures in bolted sheet steel that continue to grace public plazas in cities throughout the world.

Alexander Calder, ‘Necklace’, circa 1940, Sotheby's
Save
Save
Share
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About the work
Exhibition history
Bibliography
Provenance
S
Sotheby's

Property from the Jacqueline Fowler Collection

Executed circa 1940, this work is registered in the archives of the Calder Foundation, New York, under application number A00210.

From the Catalogue
Jacqueline Fowler has spent a lifetime discovering and collecting exquisite works of art. She has immersed herself fully in …

Alexander Calder
American, 1898–1976
Follow

American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a term coined by Marcel Duchamp in 1931 to describe his work) consist of abstract shapes made of industrial materials––often poetic and gracefully formed and at times boldly colored––that hang in an uncanny, perfect balance. His complex assemblage Cirque Calder (1926–31), which allowed for the artist’s manipulation of its various characters presented before an audience, predated Performance Art by some 40 years. Later in his career, Calder devoted himself to making outdoor monumental sculptures in bolted sheet steel that continue to grace public plazas in cities throughout the world.

Necklace, circa 1940

Brass wire and leather
1/2 × 18 1/2 × 2 3/5 in
1.3 × 47 × 6.7 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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