Alexander Calder, ‘Untitled’, 1975, Heritage Auctions
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Alexander Calder, ‘Untitled’, 1975, Heritage Auctions
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Untitled, 1975

Gouache, pencil, and ink on paper
15 3/4 × 47 3/4 in
40 × 121.3 cm
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About the work
HA
Heritage Auctions

Provenance: The artist; Thomas Barrett King, Dallas, gift from the above, 1975; By descent to the …

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Provenance: The artist; Thomas Barrett King, Dallas, gift from the above, 1975; By descent to the present owner, Evergreen, Colorado, 2013.

NOTE: This work is registered in the archives of the Calder Foundation, New York, under no. A27762.

Image rights
Courtesy of Heritage Auctions
Signature
Signed and dated lower right: Calder 1975
Alexander Calder
American, 1898–1976
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American artist Alexander Calder changed the course of modern art by developing an innovative …

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American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a …

Read more
Alexander Calder, ‘Untitled’, 1975, Heritage Auctions
navigate left
Alexander Calder, ‘Untitled’, 1975, Heritage Auctions
navigate right
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
HA
Heritage Auctions

Provenance: The artist; Thomas Barrett King, Dallas, gift from the above, 1975; By descent to the …

Read more

Provenance: The artist; Thomas Barrett King, Dallas, gift from the above, 1975; By descent to the present owner, Evergreen, Colorado, 2013.

NOTE: This work is registered in the archives of the Calder Foundation, New York, under no. A27762.

Image rights
Courtesy of Heritage Auctions
Signature
Signed and dated lower right: Calder 1975
Alexander Calder
American, 1898–1976
Follow

American artist Alexander Calder changed the course of modern art by developing an innovative …

Read more

American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a …

Read more

Untitled, 1975

Gouache, pencil, and ink on paper
15 3/4 × 47 3/4 in
40 × 121.3 cm
Bidding closed
Want to sell a work by this artist? Learn more.