Alexander Calder, ‘Untitled (from the Calder, Magie Eolienne portfolio)’, 1972, Rago/Wright
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Untitled (from the Calder, Magie Eolienne portfolio), 1972

Lithograph on Arches paper
25 1/2 × 19 1/2 in
64.8 × 49.5 cm
Edition 36/75
This is part of a limited edition set.
Bidding closed
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About the work
RW
Rago/Wright

This work is number 36 from the edition of 75 printed by Arte Adrian Maeght, Paris and published by …

Medium
Print
Signature
Signed and numbered to lower edge 'Calder 36/75'.
Alexander Calder
American, 1898–1976
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American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a term coined by Marcel Duchamp in 1931 to describe his work) consist of abstract shapes made of industrial materials––often poetic and gracefully formed and at times boldly colored––that hang in an uncanny, perfect balance. His complex assemblage Cirque Calder (1926–31), which allowed for the artist’s manipulation of its various characters presented before an audience, predated Performance Art by some 40 years. Later in his career, Calder devoted himself to making outdoor monumental sculptures in bolted sheet steel that continue to grace public plazas in cities throughout the world.

Alexander Calder, ‘Untitled (from the Calder, Magie Eolienne portfolio)’, 1972, Rago/Wright
Save
Save
View
View in room
Share
Share
About the work
RW
Rago/Wright

This work is number 36 from the edition of 75 printed by Arte Adrian Maeght, Paris and published by Société Internationale d'Art XXe Siècle, Paris.

Medium
Print
Signature
Signed and numbered to lower edge 'Calder 36/75'.
Alexander Calder
American, 1898–1976
Follow

American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a term coined by Marcel Duchamp in 1931 to describe his work) consist of abstract shapes made of industrial materials––often poetic and gracefully formed and at times boldly colored––that hang in an uncanny, perfect balance. His complex assemblage Cirque Calder (1926–31), which allowed for the artist’s manipulation of its various characters presented before an audience, predated Performance Art by some 40 years. Later in his career, Calder devoted himself to making outdoor monumental sculptures in bolted sheet steel that continue to grace public plazas in cities throughout the world.

Untitled (from the Calder, Magie Eolienne portfolio), 1972

Lithograph on Arches paper
25 1/2 × 19 1/2 in
64.8 × 49.5 cm
Edition 36/75
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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