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Windmill, 1971

Gouache and ink on paper
22 3/4 × 30 1/2 in
57.8 × 77.5 cm
This is a unique work.
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location
New York
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About the work
Provenance
Hollis Taggart
New York
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This work is registered in the archives of the Calder Foundation, New York, under application …

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This work is registered in the archives of the Calder Foundation, New York, under application number A07108.

Signature
Signed and dated lower right: "Calder / 71" Numbered verso: "34288B"
Alexander Calder
American, 1898–1976
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American artist Alexander Calder changed the course of modern art by developing an innovative …

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American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a …

Read more
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Provenance
Hollis Taggart
New York
Follow

This work is registered in the archives of the Calder Foundation, New York, under application …

Read more

This work is registered in the archives of the Calder Foundation, New York, under application number A07108.

Signature
Signed and dated lower right: "Calder / 71" Numbered verso: "34288B"
Alexander Calder
American, 1898–1976
Follow

American artist Alexander Calder changed the course of modern art by developing an innovative …

Read more

American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a …

Read more

Windmill, 1971

Gouache and ink on paper
22 3/4 × 30 1/2 in
57.8 × 77.5 cm
This is a unique work.
Contact For Price
location
New York
Have a question? Read our FAQ.
Want to sell a work by this artist? Learn more.
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