Alfred Stieglitz, ‘Spring Showers’, 1900, 1901, printed 1903, 1904, Phillips

Greenough, Alfred Stieglitz: The Key Set (Volume One), no. 269
Camera Notes, 5:3, January 1902, p. 183
Camera Work, Number 36, October 1911, p. 16
Bulfinch Press, Alfred Stieglitz, pl. 13
Greenough and Hamilton, Alfred Stieglitz: Photographs and Writings, pl. 13
Margolis, Alfred Stieglitz: A Pictorial Guide, p. 102
National Gallery of Art, Modern Art and America: Alfred Stieglitz and his New York Galleries, p. 37
Norman, Alfred Stieglitz: An American Seer, pl. IX
Peterson, Alfred Stieglitz's Camera Notes, cover, pl. 82
Whelan, Stieglitz on Photography: His Selected Essays and Notes, p. 115
Doty, Photography as a Fine Art, pl. IV

Doris Bry, New York, 1993

About Alfred Stieglitz

Through his work and writing, photographer Alfred Stieglitz was instrumental in establishing photography as a recognized fine art form. Some of Steiglitz's best-known photographs are of the painter Georgia O'Keeffe (who would eventually become his wife), and in line with his belief that great photography “becomes more real than reality,” these close-up portraits convey as much about form as they do about her personality and their relationship. Stieglitz was feverishly devoted to his work and mission and produced thousands of editions in his lifetime, covering numerous themes that captured a period of rapid transition in American society. In 1905, he opened 291 Gallery in New York City to promote pioneering photographers and avant-garde European artists. Stieglitz achieved his goal to have photography shown alongside painting and, due to his efforts, is known as an important proponent of early modernism and not only as a promoter of photography.

American, 1864-1946, Hoboken, NJ, United States, based in New York, NY, United States