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Alicja Kwade, ‘1979 leere Liter bis zum Anfang’, 2010, Gallery Weekend Berlin
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Alicja Kwade

1979 leere Liter bis zum Anfang, 2010

2240 kg empty champagne glass bottles with labeling,ground
105 1/10 in diameter
267 cm diameter
Want to sell a work by this artist? Consign with Artsy.
About the work
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Medium
Installation
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Photo: Reni Hansen/Kunstmuseum Bonn Exhibition views: Dorothea von Stetten Preis, Kunstmusuem Bonn, 2010
Alicja Kwade
Polish, b. 1979
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Alicja Kwade’s mixed-media works manipulate mental perceptions and physical experiences of how the body inhabits space and time. Kwade frequently uses imperfect doubling, mirror images, and repetition in her practice. For example, Dimension +1-+9 (2012) and Dimension -1--9 (2012) are a pair of clocks ticking just faster and slower than one second; Nissan (Parallelwelt 1 + 2) (2009) features two Nissan cars as mirror images, including topical scratches. Her common materials include items found in everyday life—like coins, metal pipes, mirrors, glass, lights, and bicycles—that she then distorts to create sensory illusions. The results, sometimes slouching or stretching, can appear anthropomorphic. A recent installation Durchbruch durch Schwäche (Breakthrough Through Weakness) (2011), comprised of over 300 clock weights, was based on the closing sequence of Christopher Nolan’s 2010 film Inception.

Alicja Kwade, ‘1979 leere Liter bis zum Anfang’, 2010, Gallery Weekend Berlin
Save
Save
Share
Share
About the work
Articles
Medium
Installation
Image rights
Photo: Reni Hansen/Kunstmuseum Bonn Exhibition views: Dorothea von Stetten Preis, Kunstmusuem Bonn, 2010
Alicja Kwade
Polish, b. 1979
Follow

Alicja Kwade’s mixed-media works manipulate mental perceptions and physical experiences of how the body inhabits space and time. Kwade frequently uses imperfect doubling, mirror images, and repetition in her practice. For example, Dimension +1-+9 (2012) and Dimension -1--9 (2012) are a pair of clocks ticking just faster and slower than one second; Nissan (Parallelwelt 1 + 2) (2009) features two Nissan cars as mirror images, including topical scratches. Her common materials include items found in everyday life—like coins, metal pipes, mirrors, glass, lights, and bicycles—that she then distorts to create sensory illusions. The results, sometimes slouching or stretching, can appear anthropomorphic. A recent installation Durchbruch durch Schwäche (Breakthrough Through Weakness) (2011), comprised of over 300 clock weights, was based on the closing sequence of Christopher Nolan’s 2010 film Inception.

Alicja Kwade

1979 leere Liter bis zum Anfang, 2010

2240 kg empty champagne glass bottles with labeling,ground
105 1/10 in diameter
267 cm diameter
Want to sell a work by this artist? Consign with Artsy.
Other works by Alicja Kwade