Allyson Vieira, ‘Clad (Beauty, Mirth, and Abundance VIII, II, IX, V, I, IV, VIII)’, 2013, Swiss Institute

About Allyson Vieira

The work of Allyson Vieira simultaneously evokes the ancient history and the recent past behind her objects’ creation. She often works in plaster, its smooth, white surface calling to mind the monumentality of classical marbles and architectural fragments, while showing signs of the processes through which it was shaped. Bas-reliefs seemingly plucked from fallen empires are molded in the shape of the artist’s fists and fingers, her fleeting gestures captured in the hard material. Plaster, a material whose sole purpose is to take other forms, is especially suited to her explorations of history and reference, but so are the plastic bottles and coffee cups—a thoroughly modern marker of this epoch—that she renders in delicate gouache. Notable exhibitions include “Meander, Frame,” Laurel Gitlen, Frieze NY; “Shortlisted Artists for the Future Generation Art Prize 2014,” Pinchuk ArtCentre, Kyiv, “The Plural Present,” Swiss Institute, New York and Kunsthalle Basel, Basel, 2013; and “Build On/Build Against,” Non-Objectif Sud, Tulette (France), 2013.

American, b. 1979

Fair History on Artsy

Laurel Gitlen at Frieze NY 2014