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Alyson Shotz

Phase Shift, 2015

Suite of 6 silver gelatin prints
70 × 75 in
177.8 × 190.5 cm
Edition of 10
This is part of a limited edition set.
$9,000
Have a question? Read our FAQ.
About the work
Articles
Provenance
Carolina Nitsch Contemporary Art
New York
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Size note. Each print: 30 ½ x 20 ½ inches (77.47 x 52.07 cm)

Size note. Each print: 30 ½ x 20 ½ inches (77.47 x 52.07 cm)

Medium
Photography
Condition
Mint condition, New.
Signature
Hand-signed by artist, Each signed, numbered, dated verso
Alyson Shotz
American, b. 1964
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Having been displayed in such prominent arenas as the Guggenheim atrium and Storm King sculpture park, Alyson Shotz’s monumental sculptures use materials that range from mirrors, glass, and beads, to steel, wire, and digital photography, often repeating formal elements. A former student of physics, the artist explores themes of light, gravity, perceptions of space, and the patterns found in nature. For The Shape of Space (2004), Shotz created a vast patchwork wall of 18,000 Fresnel lenses, while in Mirror Fence (2003) a picket fence faced in polished aluminum reflects and blends into the surrounding grass. Speaking of the influence of the natural world on her work, Shotz has said, “There are things that I see happen when I’m working with a material that tell me something about gravity, space, force. I’m interested in showing that idea through the artwork.”

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View in room
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Save
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View
View in room
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About the work
Articles
Provenance
Carolina Nitsch Contemporary Art
New York
Follow

Size note. Each print: 30 ½ x 20 ½ inches (77.47 x 52.07 cm)

Size note. Each print: 30 ½ x 20 ½ inches (77.47 x 52.07 cm)

Medium
Photography
Condition
Mint condition, New.
Signature
Hand-signed by artist, Each signed, numbered, dated verso
Alyson Shotz
American, b. 1964
Follow

Having been displayed in such prominent arenas as the Guggenheim atrium and Storm King sculpture park, Alyson Shotz’s monumental sculptures use materials that range from mirrors, glass, and beads, to steel, wire, and digital photography, often repeating formal elements. A former student of physics, the artist explores themes of light, gravity, perceptions of space, and the patterns found in nature. For The Shape of Space (2004), Shotz created a vast patchwork wall of 18,000 Fresnel lenses, while in Mirror Fence (2003) a picket fence faced in polished aluminum reflects and blends into the surrounding grass. Speaking of the influence of the natural world on her work, Shotz has said, “There are things that I see happen when I’m working with a material that tell me something about gravity, space, force. I’m interested in showing that idea through the artwork.”

Alyson Shotz

Phase Shift, 2015

Suite of 6 silver gelatin prints
70 × 75 in
177.8 × 190.5 cm
Edition of 10
This is part of a limited edition set.
$9,000
Have a question? Read our FAQ.
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Other works from Carolina Nitsch Contemporary Art
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