Amalia Pica, ‘A ∩ B ∩ C’, 2013, Guggenheim Museum

Installation view, Museo Tamayo Arte Contemporáneo, Mexico City, A ∩ B ∩ C, April 9–July 14, 2013

Image rights: Courtesy the artist and Marc Foxx Gallery, Los Angeles. Photo: Daniela Uribe, courtesy the artist and Museo Tamayo Arte Contemporáneo

Under the Same Sun: Art from Latin America Today, Guggenheim UBS MAP Global Art Initiative,
June 13–October 1, 2014

Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund

About Amalia Pica

In her sculptures, installations, drawings, photographic collages, and performances, Amalia Pica explores our desire to be understood, while highlighting the imperfections in our modes of communication. As she explains: “A lot of my work stems from that almost childish desire to be understood, and I think that a lot of the ways that we invent to talk to each other have to do with that extreme desire to reach…100% empathy with other people. That will never happen, but the fact that we try…is beautiful, somehow.” With understatement and elegance, she exposes our efforts in works like Switchboard, an iterative installation of tin-can telephones, whose crisscrossed strings make it impossible to tell which two cans connect. Pica is especially interested in examining the effectiveness of the artist as a communicator, and art—so often misunderstood—as a message.

Argentine, b. 1978, Neuquén, Argentina, based in London, United Kingdom