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Amanda Ross-Ho

Untitled Still Life (I STILL HATE MONDAYS), 2013

Sheetrock, latex paint, staples, acrylic paint, graphite, linen tape, laser prints, single earrings, aluminum thumbtacks, black maptacks
41 × 32 in
104.1 × 81.3 cm
Bidding closed
About the work

Estimated value: $12,000

The Los Angeles-based artist Amanda Ross-Ho finds meaning in the castoffs …

Read more

Estimated value: $12,000

The Los Angeles-based artist Amanda Ross-Ho finds meaning in the castoffs and ephemera of everyday life. In this collage, we see recurrent forms and motifs that constitute the artist’s unique visual vocabulary.

Public Art Fund Benefit Auction
Image rights
Courtesy of Amanda Ross-Ho and Mitchell-Innes and Nash
Amanda Ross-Ho
American, b. 1975
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Living and working in Los Angeles, Amanda Ross-Ho aims to, in her words, “investigate the anatomy …

Read more

Living and working in Los Angeles, Amanda Ross-Ho aims to, in her words, “investigate the anatomy and life cycle of creative production.” Ross-Ho appropriates images and ephemera that she encounters to construct installations, stage photographs, and build sculptures that show points of coincidence or intersection, …

Read more
Save
Save
view
View in room
share
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Save
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view
View in room
share
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About the work

Estimated value: $12,000

The Los Angeles-based artist Amanda Ross-Ho finds meaning in the castoffs …

Read more

Estimated value: $12,000

The Los Angeles-based artist Amanda Ross-Ho finds meaning in the castoffs and ephemera of everyday life. In this collage, we see recurrent forms and motifs that constitute the artist’s unique visual vocabulary.

Public Art Fund Benefit Auction
Image rights
Courtesy of Amanda Ross-Ho and Mitchell-Innes and Nash
Amanda Ross-Ho
American, b. 1975
Follow

Living and working in Los Angeles, Amanda Ross-Ho aims to, in her words, “investigate the anatomy …

Read more

Living and working in Los Angeles, Amanda Ross-Ho aims to, in her words, “investigate the anatomy and life cycle of creative production.” Ross-Ho appropriates images and ephemera that she encounters to construct installations, stage photographs, and build sculptures that show points of coincidence or intersection, …

Read more

Amanda Ross-Ho

Untitled Still Life (I STILL HATE MONDAYS), 2013

Sheetrock, latex paint, staples, acrylic paint, graphite, linen tape, laser prints, single earrings, aluminum thumbtacks, black maptacks
41 × 32 in
104.1 × 81.3 cm
Bidding closed
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