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Ana Holck, ‘sérir pré-moldados’, 2016, Anita Schwartz Galeria de Arte
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Ana Holck

sérir pré-moldados, 2016

Monotipia sobre papel
97 × 72 in
246.4 × 182.9 cm
Contact For Price
Location
Rio de Janeiro
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Ana Holck
Brazilian, b. 1977
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Much of Ana Holck’s artwork is a reaction her training in architecture and urban planning. “My relationship with architecture was conflictive,” she says. “I try to deconstruct all that I learned about architecture in my works.” Her series “Construction Site” (2006) is Holck’s reaction to her father’s occupation as a structural engineer, and the projects he worked on for the Brazilian federal government. Holck constructs installations and sculptures that foil natural understandings of perspective and space, playing with properties of suspension, balance, tension, and support. Her commonly used materials—a list that includes brick, Plexiglas, concrete, and vinyl adhesive tape—are more commonly found in architectural practice.

Ana Holck, ‘sérir pré-moldados’, 2016, Anita Schwartz Galeria de Arte
Save
Save
View
View in room
Share
Share
Ana Holck
Brazilian, b. 1977
Follow

Much of Ana Holck’s artwork is a reaction her training in architecture and urban planning. “My relationship with architecture was conflictive,” she says. “I try to deconstruct all that I learned about architecture in my works.” Her series “Construction Site” (2006) is Holck’s reaction to her father’s occupation as a structural engineer, and the projects he worked on for the Brazilian federal government. Holck constructs installations and sculptures that foil natural understandings of perspective and space, playing with properties of suspension, balance, tension, and support. Her commonly used materials—a list that includes brick, Plexiglas, concrete, and vinyl adhesive tape—are more commonly found in architectural practice.

Ana Holck

sérir pré-moldados, 2016

Monotipia sobre papel
97 × 72 in
246.4 × 182.9 cm
Contact For Price
Location
Rio de Janeiro
Have a question? Visit our help center.
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