Analía Saban, ‘Ink Circuit Board #1’, 2019, Drawing, Collage or other Work on Paper, Ink on paper, LAXART Benefit Auction
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Analía Saban

Ink Circuit Board #1, 2019

Ink on paper
30 × 22 1/4 in
76.2 × 56.5 cm
.
Bidding closed
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About the work
LAXART Benefit Auction
Medium
Image rights
Couresy of the artist, Tanya Bonakdar Gallery and Sprüth Magers
Analía Saban
Argentinian-American, b. 1980
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Analia Saban’s sculptural paintings are the result of the artist’s interest in dissecting both the painting process and her works themselves. Saban describes her own method of working as both artistic and scientific—an approach that was inspired by her former instructor John Baldessari. She is best known for using laser cutters, silicone molds and acrylic, and erosive techniques. In her early works, Saban reduced the works of Modernists like Wassily Kandinsky, Joan Miró, and Henri Matisse into individual swatches of color, which she then cut out, copied, and rearranged. Since then, her painting practice has also included unraveling painted canvases and wrapping the threads into a single ball; shrink-wrapping oil-on-canvas works such that the paint moved beneath the plastic; and using photographic emulsion as a device for applying marks to painted surfaces.

Analía Saban, ‘Ink Circuit Board #1’, 2019, Drawing, Collage or other Work on Paper, Ink on paper, LAXART Benefit Auction
Save
Save
View
View in room
Share
Share
About the work
LAXART Benefit Auction
Medium
Image rights
Couresy of the artist, Tanya Bonakdar Gallery and Sprüth Magers
Analía Saban
Argentinian-American, b. 1980
Follow

Analia Saban’s sculptural paintings are the result of the artist’s interest in dissecting both the painting process and her works themselves. Saban describes her own method of working as both artistic and scientific—an approach that was inspired by her former instructor John Baldessari. She is best known for using laser cutters, silicone molds and acrylic, and erosive techniques. In her early works, Saban reduced the works of Modernists like Wassily Kandinsky, Joan Miró, and Henri Matisse into individual swatches of color, which she then cut out, copied, and rearranged. Since then, her painting practice has also included unraveling painted canvases and wrapping the threads into a single ball; shrink-wrapping oil-on-canvas works such that the paint moved beneath the plastic; and using photographic emulsion as a device for applying marks to painted surfaces.

Analía Saban

Ink Circuit Board #1, 2019

Ink on paper
30 × 22 1/4 in
76.2 × 56.5 cm
.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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