André Masson
Blue Serpent, 1957
Andre Masson (1896-1988), Blue Serpent, 1957, 2 plates, 1) etching and aquatint in colors, signed, …
Read moreAndre Masson (1896-1988), Blue Serpent, 1957, 2 plates, 1) etching and aquatint in colors, signed, dated (30/7/61) and inscribed “pour Louis Broder epreuve d’artiste.” Reference: Saphire and Cramer, p. 288 no. 7. In very good condition, on an olive wove paper, with wide margins, 8 1/8 x 6 3/4, the sheet 12 7/8 x 9 3/4 …
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An early Surrealist and devotee of Cubism—who went on to inspire the New York Abstract …
Read moreAn early Surrealist and devotee of Cubism—who went on to inspire the New York Abstract Expressionists before taking up a late interest in impressionistic landscapes—André Masson was an iconoclast whose abrupt stylistic transitions defy classification. Along with Joan Miró, he explored automatic drawing, seeking to …
Read moreAndre Masson (1896-1988), Blue Serpent, 1957, 2 plates, 1) etching and aquatint in colors, signed, …
Read moreAndre Masson (1896-1988), Blue Serpent, 1957, 2 plates, 1) etching and aquatint in colors, signed, dated (30/7/61) and inscribed “pour Louis Broder epreuve d’artiste.” Reference: Saphire and Cramer, p. 288 no. 7. In very good condition, on an olive wove paper, with wide margins, 8 1/8 x 6 3/4, the sheet 12 7/8 x 9 3/4 …
Read moreAn early Surrealist and devotee of Cubism—who went on to inspire the New York Abstract …
Read moreAn early Surrealist and devotee of Cubism—who went on to inspire the New York Abstract Expressionists before taking up a late interest in impressionistic landscapes—André Masson was an iconoclast whose abrupt stylistic transitions defy classification. Along with Joan Miró, he explored automatic drawing, seeking to …
Read moreAndré Masson
Blue Serpent, 1957
