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André Masson

In the middle of the forest, circa 1931-1932

Pastels on paper
18 7/10 × 19 1/2 in
47.5 × 49.5 cm
Bidding closed
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About the work
Exhibition history
Provenance
P
PIASA

18.7 x 19.5 in
A certificate of authenticity by the Masson Committee will be provided

Buyer …

Read more

18.7 x 19.5 in
A certificate of authenticity by the Masson Committee will be provided

Buyer responsible for Buyer’s Premium and any applicable taxes, including VAT.

Signature
Titled lower center
André Masson
French, 1896–1987
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An early Surrealist and devotee of Cubism—who went on to inspire the New York Abstract Expressionists before taking up a late interest in impressionistic landscapes—André Masson was an iconoclast whose abrupt stylistic transitions defy classification. Along with Joan Miró, he explored automatic drawing, seeking to express the creative force of the unconscious. This led to images—like the celebrated Battle of the Fishes (1927), a poetic depiction of conflict and metamorphosis with undertones of primordial eroticism—derived from random gestures and drawn spontaneously in glue, then sprinkled with colored sands for added texture and complexity. His signature violence, evident in the terrifying, fragmented figures of In The Tower of Sleep (1938), reflects the horrors of the Spanish Civil War and WWII, as well as his own troubled psyche in the aftermath of his service in WWI.

Save
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view
View in room
share
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Save
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view
View in room
share
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About the work
Exhibition history
Provenance
P
PIASA

18.7 x 19.5 in
A certificate of authenticity by the Masson Committee will be provided

Buyer …

Read more

18.7 x 19.5 in
A certificate of authenticity by the Masson Committee will be provided

Buyer responsible for Buyer’s Premium and any applicable taxes, including VAT.

Signature
Titled lower center
André Masson
French, 1896–1987
Follow

An early Surrealist and devotee of Cubism—who went on to inspire the New York Abstract Expressionists before taking up a late interest in impressionistic landscapes—André Masson was an iconoclast whose abrupt stylistic transitions defy classification. Along with Joan Miró, he explored automatic drawing, seeking to express the creative force of the unconscious. This led to images—like the celebrated Battle of the Fishes (1927), a poetic depiction of conflict and metamorphosis with undertones of primordial eroticism—derived from random gestures and drawn spontaneously in glue, then sprinkled with colored sands for added texture and complexity. His signature violence, evident in the terrifying, fragmented figures of In The Tower of Sleep (1938), reflects the horrors of the Spanish Civil War and WWII, as well as his own troubled psyche in the aftermath of his service in WWI.

André Masson

In the middle of the forest, circa 1931-1932

Pastels on paper
18 7/10 × 19 1/2 in
47.5 × 49.5 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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Surrealism