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André Masson

no title, 1979

Etching
19 9/10 × 25 3/5 in
50.5 × 65 cm
€650
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About the work
Le Coin des Arts
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35,5 x 44 cm (image) - 50,5 x 65 cm (sheet)
Printed by Crommelynck (Paris)
Very good condition, …

Read more

35,5 x 44 cm (image) - 50,5 x 65 cm (sheet)
Printed by Crommelynck (Paris)
Very good condition, beautiful colors
LCD2612

Signature
Handsigned by the artist in pencil and numbered 70/90
André Masson
French, 1896–1987
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An early Surrealist and devotee of Cubism—who went on to inspire the New York Abstract Expressionists before taking up a late interest in impressionistic landscapes—André Masson was an iconoclast whose abrupt stylistic transitions defy classification. Along with Joan Miró, he explored automatic drawing, seeking to express the creative force of the unconscious. This led to images—like the celebrated Battle of the Fishes (1927), a poetic depiction of conflict and metamorphosis with undertones of primordial eroticism—derived from random gestures and drawn spontaneously in glue, then sprinkled with colored sands for added texture and complexity. His signature violence, evident in the terrifying, fragmented figures of In The Tower of Sleep (1938), reflects the horrors of the Spanish Civil War and WWII, as well as his own troubled psyche in the aftermath of his service in WWI.

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About the work
Le Coin des Arts
Follow

35,5 x 44 cm (image) - 50,5 x 65 cm (sheet)
Printed by Crommelynck (Paris)
Very good condition, …

Read more

35,5 x 44 cm (image) - 50,5 x 65 cm (sheet)
Printed by Crommelynck (Paris)
Very good condition, beautiful colors
LCD2612

Signature
Handsigned by the artist in pencil and numbered 70/90
André Masson
French, 1896–1987
Follow

An early Surrealist and devotee of Cubism—who went on to inspire the New York Abstract Expressionists before taking up a late interest in impressionistic landscapes—André Masson was an iconoclast whose abrupt stylistic transitions defy classification. Along with Joan Miró, he explored automatic drawing, seeking to express the creative force of the unconscious. This led to images—like the celebrated Battle of the Fishes (1927), a poetic depiction of conflict and metamorphosis with undertones of primordial eroticism—derived from random gestures and drawn spontaneously in glue, then sprinkled with colored sands for added texture and complexity. His signature violence, evident in the terrifying, fragmented figures of In The Tower of Sleep (1938), reflects the horrors of the Spanish Civil War and WWII, as well as his own troubled psyche in the aftermath of his service in WWI.

André Masson

no title, 1979

Etching
19 9/10 × 25 3/5 in
50.5 × 65 cm
€650
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
Other works by André Masson
Other works from Le Coin des Arts