André Masson, ‘The Sun (Le Soleil)’, 1938, Print, Lithograph in colours, artrepublic
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André Masson

The Sun (Le Soleil), 1938

Lithograph in colours
17 × 20 1/2 in
43.2 × 52.1 cm
.
Sold
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Medium
Condition
No apparent condition issues
Signature
Hand-signed by artist, Signed in the plate
Frame
Included
Publisher
Published for Verve (no. 2) (printed by Mourlot?)yes
André Masson
French, 1896–1987
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An early Surrealist and devotee of Cubism—who went on to inspire the New York Abstract Expressionists before taking up a late interest in impressionistic landscapes—André Masson was an iconoclast whose abrupt stylistic transitions defy classification. Along with Joan Miró, he explored automatic drawing, seeking to express the creative force of the unconscious. This led to images—like the celebrated Battle of the Fishes (1927), a poetic depiction of conflict and metamorphosis with undertones of primordial eroticism—derived from random gestures and drawn spontaneously in glue, then sprinkled with colored sands for added texture and complexity. His signature violence, evident in the terrifying, fragmented figures of In The Tower of Sleep (1938), reflects the horrors of the Spanish Civil War and WWII, as well as his own troubled psyche in the aftermath of his service in WWI.

André Masson, ‘The Sun (Le Soleil)’, 1938, Print, Lithograph in colours, artrepublic
Save
Save
View
View in room
Share
Share
Medium
Condition
No apparent condition issues
Signature
Hand-signed by artist, Signed in the plate
Frame
Included
Publisher
Published for Verve (no. 2) (printed by Mourlot?)yes
André Masson
French, 1896–1987
Follow

An early Surrealist and devotee of Cubism—who went on to inspire the New York Abstract Expressionists before taking up a late interest in impressionistic landscapes—André Masson was an iconoclast whose abrupt stylistic transitions defy classification. Along with Joan Miró, he explored automatic drawing, seeking to express the creative force of the unconscious. This led to images—like the celebrated Battle of the Fishes (1927), a poetic depiction of conflict and metamorphosis with undertones of primordial eroticism—derived from random gestures and drawn spontaneously in glue, then sprinkled with colored sands for added texture and complexity. His signature violence, evident in the terrifying, fragmented figures of In The Tower of Sleep (1938), reflects the horrors of the Spanish Civil War and WWII, as well as his own troubled psyche in the aftermath of his service in WWI.

André Masson

The Sun (Le Soleil), 1938

Lithograph in colours
17 × 20 1/2 in
43.2 × 52.1 cm
.
Sold
Want to sell a work by this artist? Consign with Artsy.
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