Andreas Eriksson, ‘Subrosa’, 2017, Print, Screen print on plastic, Hakgojae Gallery
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Andreas Eriksson

Subrosa, 2017

Screen print on plastic
40 4/5 × 28 7/10 in
103.7 × 73 cm
.
Sold
Location
Seoul, Hakgojae OROOM
Andreas Eriksson
Swedish, b. 1975
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Andreas Eriksson’s practice spans a range of mediums, including painting, installation, photography, and sculpture. Eriksson lives in the middle of a forest and draws inspiration from his surroundings for his introspective, poetic works: bronze castings of molehills, shadowy photographs of moss and trees, and abstract paintings in earthy greens and browns. He cites the influence of Edvard Munch and Albert Oehlen on his eclectic practice. “What is most important is that I remain honest to myself,” he says. “I think that all the different things I do in my studio have the same value… However, I enjoy this eclectic situation.”

Andreas Eriksson, ‘Subrosa’, 2017, Print, Screen print on plastic, Hakgojae Gallery
Save
Save
View
View in room
Share
Share
Andreas Eriksson
Swedish, b. 1975
Follow

Andreas Eriksson’s practice spans a range of mediums, including painting, installation, photography, and sculpture. Eriksson lives in the middle of a forest and draws inspiration from his surroundings for his introspective, poetic works: bronze castings of molehills, shadowy photographs of moss and trees, and abstract paintings in earthy greens and browns. He cites the influence of Edvard Munch and Albert Oehlen on his eclectic practice. “What is most important is that I remain honest to myself,” he says. “I think that all the different things I do in my studio have the same value… However, I enjoy this eclectic situation.”

Andreas Eriksson

Subrosa, 2017

Screen print on plastic
40 4/5 × 28 7/10 in
103.7 × 73 cm
.
Sold
Location
Seoul, Hakgojae OROOM
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