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Andres Serrano

Untitled XVIII (Torture), 2015

Archival pigment print on Canson Platine paper, back-mounted on dibond, plexiglass 3 mm anti-UV, wooden frame
65 × 55 in
165.1 × 139.7 cm
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location
Napoli
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About the work
Andres Serrano
American, b. 1950
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Claiming, “I don’t think my work is shocking,” Andres Serrano is (in)famous for his unflinching color photographs of controversial subjects, including Ku Klux Klansmen, dead bodies, feces, handguns, and Catholic figurines submerged in bodily fluids. He is perhaps best known for Piss Christ (1987), a shockingly beautiful close-up of a plastic crucifix suspended in urine, which scandalized Jesse Helms during the American Culture Wars. Serrano’s photographs are shaped by his training in painting and sculpture and informed by his strict Roman Catholic upbringing. References to Catholic iconography and doctrine run throughout his work. Carefully composed, suffused with light, and saturated with color, his photographs appear painterly, their subjects framed with an eye towards such classical sculptural qualities as form, mass, and balance. “I call myself an artist with a camera,” Serrano explains, “because I studied painting and sculpture.”

Save
Save
view
View in room
share
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Save
Save
view
View in room
share
Share
About the work
Andres Serrano
American, b. 1950
Follow

Claiming, “I don’t think my work is shocking,” Andres Serrano is (in)famous for his unflinching color photographs of controversial subjects, including Ku Klux Klansmen, dead bodies, feces, handguns, and Catholic figurines submerged in bodily fluids. He is perhaps best known for Piss Christ (1987), a shockingly beautiful close-up of a plastic crucifix suspended in urine, which scandalized Jesse Helms during the American Culture Wars. Serrano’s photographs are shaped by his training in painting and sculpture and informed by his strict Roman Catholic upbringing. References to Catholic iconography and doctrine run throughout his work. Carefully composed, suffused with light, and saturated with color, his photographs appear painterly, their subjects framed with an eye towards such classical sculptural qualities as form, mass, and balance. “I call myself an artist with a camera,” Serrano explains, “because I studied painting and sculpture.”

Andres Serrano

Untitled XVIII (Torture), 2015

Archival pigment print on Canson Platine paper, back-mounted on dibond, plexiglass 3 mm anti-UV, wooden frame
65 × 55 in
165.1 × 139.7 cm
Contact For Price
location
Napoli
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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